-- This title will ship on or after February 11, 2025 – A Junior Library Guild Gold Standard Selection! From award-winning, New York Times bestselling author Ibi Zoboi comes her groundbreaking contemporary fantasy debut—a novel in verse based on Caribbean folklore—about the power of inherited magic and the price we must pay to live the life we yearn for. “Our new home with its thick walls and locked doors wants me to stay trapped in my skin— but I am fury and flame.” Fifteen-year-old Marisol is the daughter of a soucouyant. Every new moon, she sheds her skin like the many women before her, shifting into a fireball witch who must fly into the night and slowly sip from the lives of others to sustain her own. But Brooklyn is no place for fireball witches with all its bright lights, shut windows, and bolt-locked doors.… While Marisol hoped they would leave their old traditions behind when they emigrated from the islands, she knows this will never happen while she remains ensnared by the one person who keeps her chained to her magical past—her mother. Seventeen-year-old Genevieve is the daughter of a college professor and a newly minted older half sister of twins. Her worsening skin condition and the babies’ constant wailing keep her up at night, when she stares at the dark sky with a deep longing to inhale it all. She hopes to quench the hunger that gnaws at her, one that seems to reach for some memory of her estranged mother. When a new nanny arrives to help with the twins, a family secret connecting her to Marisol is revealed, and Gen begins to find answers to questions she hasn’t even thought to ask. But the girls soon discover that the very skin keeping their flames locked beneath the surface may be more explosive to the relationships around them than any ancient magic. BIO Ibi Zoboi is the New York Times bestselling author of American Street, a National Book Award finalist; Nigeria Jones, a Coretta Scott King Award winner; Pride; My Life as an Ice Cream Sandwich; Okoye to the People: A Black Panther Novel for Marvel; and the Walter Award and LA Times Book Prize–winning Punching the Air, cowritten with Exonerated Five member Yusef Salaam. She is also a two-time Coretta Scott King Honor Award winner for her picture book The People Remember and her middle grade biography of Octavia Butler, Star Child. She is the editor of the anthology Black Enough. Born in Haiti and raised in New York City, she now lives in New Jersey with her family. You can find her online at ibizoboi.net. REVIEWS "Bold and exciting; employing alternating perspectives, the author plays with language and the book’s format to craft fully realized characters by exploring their envies and desires. Readers will fly through Zoboi’s latest masterpiece and crave more stories featuring Caribbean folklore. An ambitious contemporary fantasy that will grip readers from the first page." -- Booklist (starred review) “The girls’ intertwined tales, blurring and shifting over the course of the narrative, unfold in lyrical alternating first-person verse and are cleverly used to discuss beauty ideals and colorism. Readers will enjoy the ways the monstrous characters’ human facades shift. A vividly creative, heart-pounding poetic journey infused with Caribbean folklore.” -- Kirkus Reviews (starred review) "The stage is set for secrets and supernatural discoveries. The slow, methodical unraveling of how interwoven the two teenage girls’ stories is the treat of this sharp verse narrative that initially alternates between their POVs. The conclusion is executed with the laudable ambitions of reconciling the seemingly irreconcilable." -- Bulletin of the Center for Children’s Books (starred review) “Ambitious and unapologetic in its rendering, deftly addressing themes of colorism, assimilation, and inheritance. This fast-paced fever dream of a tale crackles and sparks on the page—almost burning the fingertips as it weaves folklore into reality; these dynamic girls reckoning with an inescapable lineage will change the way you look at the night sky.' -- Amber McBride, National Book Award finalist and author of Me (Moth) [H] Versify / February 11, 2025 For ages 13 and up

-- This title will ship on or after February 11, 2025 –
A Junior Library Guild Gold Standard Selection!
From award-winning, New York Times bestselling author Ibi Zoboi comes her groundbreaking contemporary fantasy debut—a novel in verse based on Caribbean folklore—about the power of inherited magic and the price we must pay to live the life we yearn for.
“Our new home with its
thick walls and locked doors
wants me to stay trapped in my skin—
but I am fury and flame.”
Fifteen-year-old Marisol is the daughter of a soucouyant. Every new moon, she sheds her skin like the many women before her, shifting into a fireball witch who must fly into the night and slowly sip from the lives of others to sustain her own. But Brooklyn is no place for fireball witches with all its bright lights, shut windows, and bolt-locked doors.… While Marisol hoped they would leave their old traditions behind when they emigrated from the islands, she knows this will never happen while she remains ensnared by the one person who keeps her chained to her magical past—her mother.
Seventeen-year-old Genevieve is the daughter of a college professor and a newly minted older half sister of twins. Her worsening skin condition and the babies’ constant wailing keep her up at night, when she stares at the dark sky with a deep longing to inhale it all. She hopes to quench the hunger that gnaws at her, one that seems to reach for some memory of her estranged mother. When a new nanny arrives to help with the twins, a family secret connecting her to Marisol is revealed, and Gen begins to find answers to questions she hasn’t even thought to ask.
But the girls soon discover that the very skin keeping their flames locked beneath the surface may be more explosive to the relationships around them than any ancient magic.
BIO
<meta charset="utf-8">Ibi Zoboi is the New York Times bestselling author of American Street, a National Book Award finalist; Nigeria Jones, a Coretta Scott King Award winner; Pride; My Life as an Ice Cream Sandwich; Okoye to the People: A Black Panther Novel for Marvel; and the Walter Award and LA Times Book Prize&amp;#8211;winning Punching the Air, cowritten with Exonerated Five member Yusef Salaam. She is also a two-time Coretta Scott King Honor Award winner for her picture book The People Remember and her middle grade biography of Octavia Butler, Star Child. She is the editor of the anthology Black Enough. Born in Haiti and raised in New York City, she now lives in New Jersey with her family. You can find her online at ibizoboi.net.
REVIEWS
"Bold and exciting; employing alternating perspectives, the author plays with language and the book’s format to craft fully realized characters by exploring their envies and desires. Readers will fly through Zoboi’s latest masterpiece and crave more stories featuring Caribbean folklore. An ambitious contemporary fantasy that will grip readers from the first page." -- Booklist (starred review)
“The girls’ intertwined tales, blurring and shifting over the course of the narrative, unfold in lyrical alternating first-person verse and are cleverly used to discuss beauty ideals and colorism. Readers will enjoy the ways the monstrous characters’ human facades shift. A vividly creative, heart-pounding poetic journey infused with Caribbean folklore.” -- Kirkus Reviews (starred review)
"The stage is set for secrets and supernatural discoveries. The slow, methodical unraveling of how interwoven the two teenage girls’ stories is the treat of this sharp verse narrative that initially alternates between their POVs. The conclusion is executed with the laudable ambitions of reconciling the seemingly irreconcilable." -- Bulletin of the Center for Children’s Books (starred review)
“Ambitious and unapologetic in its rendering, deftly addressing themes of colorism, assimilation, and inheritance. This fast-paced fever dream of a tale crackles and sparks on the page—almost burning the fingertips as it weaves folklore into reality; these dynamic girls reckoning with an inescapable lineage will change the way you look at the night sky.' -- Amber McBride, National Book Award finalist and author of Me (Moth)
[H] Versify  /  February 11, 2025
For ages 13 and up

Image

Cover

String

ProductOption

(S)kin /// Ibi Zoboi /// pre

Product

MoneyV2

SelectedOption

Hardcover

ProductVariant

UnitPriceMeasurement

A highly opinionated wine guide from one of the country's most celebrated — and unorthodox — sommeliers and winemakers In this entertaining, informative, and thoroughly unconventional wine guide, award-winning sommelier, winemaker, and wine educator André Mack presents listeners with the 99 bottles that have most impacted his life. Instead of just pairing wines with foods, Mack pairs practical information with personal stories, offering up recommendations alongside reflections on being one of the only African-Americans to ever work at the top level of the American wine industry. The 99 bottles range from highly accessible commercial wines to the most rarefied Bordeaux on the wine list at The French Laundry, and each bottle offers listeners something to learn about wine. This window into Mack's life combines a maverick's perspective on the wine industry with an insider's advice on navigating wine lists, purchasing wine, and drinking more diverse and interesting selections at home. 99 Bottles is a one-of-a-kind exploration of wine culture today from a true trailblazer. BIO André Mack, one of the US’s top sommeliers, worked at both The French Laundry and Per Se. He is the founder of the Mouton Noir wine, annually producing 13 varietals in Oregon’s Willamette Valley, and he is also a graphic designer and visual artist. His first wine bar is slated to open in early 2019. Mack lives in Brooklyn, New York. [H] Abrams Image / October 29, 2019 0.8" H x 9.0" L x 6.5" W (1.5 lbs) 256 pages

99 Bottles: A Black Sheep's Guide to Life-Changing Wines /// André Hueston Mack, illustrations by Rob Deborde

Winner of the Man Booker PrizeOne of Entertainment Weekly's Top 10 Books of the Decade One of the Top 10 Books of 2014 - Michiko Kakutani, The New York Times A "thrilling, ambitious . . . intense" (Los Angeles Times) novel that explores the attempted assassination of Bob Marley in the late 1970s, from the author of Black Leopard, Red Wolf In A Brief History of Seven Killings, Marlon James combines masterful storytelling with his unrivaled skill at characterization and his meticulous eye for detail to forge a novel of dazzling ambition and scope. On December 3, 1976, just before the Jamaican general election and two days before Bob Marley was to play the Smile Jamaica Concert to ease political tensions in Kingston, seven unnamed gunmen stormed the singer's house, machine guns blazing. The attack wounded Marley, his wife, and his manager, and injured several others. Little was officially released about the gunmen, but rumors abounded regarding the assassins' fates. A Brief History of Seven Killings is James's fictional exploration of that dangerous and unstable time in Jamaica's history and beyond. Deftly spanning decades and continents and peopled with a wide range of characters--assassins, drug dealers, journalists, and even ghosts--James brings to life the people who walked the streets of 1970s Kingston, who dominated the crack houses of 1980s New York, and who reemerged into a radically altered Jamaica of the 1990s. Brilliantly inventive, A Brief History of Seven Killings is an "exhilarating" (The New York Times) epic that's been called "a tour de force" (The Wall Street Journal). BIO Marlon James was born in Jamaica in 1970. His most recent novel, A Brief History of Seven Killings, won the 2015 Man Booker Prize. It was also a finalist for the National Book Critics Circle Award and won the OCM Bocas Prize for Caribbean Literature for fiction, the Anisfield-Wolf Book Award for fiction, and the Minnesota Book Award. It was also a New York Times Notable Book. James is also the author of The Book of Night Women, which won the 2010 Dayton Literary Peace Prize and the Minnesota Book Award, and was a finalist for the 2010 National Book Critics Circle Award in fiction and an NAACP Image Award. His first novel, John Crow's Devil, was a finalist for the Los Angeles Times Book Prize for first fiction and the Commonwealth Writers' Prize and was a New York Times Editors' Choice. James lives in Minneapolis. REVIEWS "How to describe Marlon James's monumental new novel A Brief History of Seven Killings? It's like a Tarantino remake of The Harder They Come but with a soundtrack by Bob Marley and a script by Oliver Stone and William Faulkner, with maybe a little creative boost from some primo ganja. It's epic in every sense of that word: sweeping, mythic, over-the-top, colossal and dizzyingly complex. It's also raw, dense, violent, scalding, darkly comic, exhilarating and exhausting--a testament to Mr. James's vaulting ambition and prodigious talent." --Michiko Kakutani, The New York Times "James has written a dangerous book, one full of lore and whispers and history... [a] great book... James nibbles at theories of who did what and why, and scripts Marley's quest for revenge with the pace of a thriller. His achievement, however, goes far beyond opening up this terrible moment in the life of a great musician. He gives us the streets, the people, especially the desperate, the Jamaicans whom Marley exhorted to: 'Open your eyes and look within: / Are you satisfied with the life you're living?'" -- The Boston Globe "A sweeping novel that touches on family, friendship, celebrity, art, sexuality, ghetto politics, geopolitics, drug trade, gender, race and more, sending the reader from Jamaica to New York via Miami and Cuba and back." -- Newsweek [H] Riverhead Books / October 02, 2014 ﻿1.41" H x 9.55" L x 6.42" W (2.2 lbs) 688 pages [P] Riverhead Books / September 08, 2015 1.7" H x 8.2" L x 5.4" W (1.35 lbs) 704 pages

A Brief History of Seven Killings /// Marlon James

Paperback

"A dozen interlinked, music-oriented stories set in Port Harcourt, Nigeria, where Garricks was raised... Each songlike story feels like a breakout hit encapsulating the brokenness and the beauty in life’s soundtrack."—Booklist, starred review “Beautifully woven . . . a magical delight.”—Hari Kunzru, author of White Tears A Broken People’s Playlist is set to the soundtrack of life, comprised of twelve music-inspired tales about love, the human condition, micro-moments, and the search for meaning and sometimes, redemption. It is also Chimeka Garricks’s love letter to his native city, Port Harcourt, introducing us to a cast of indelible characters in these loosely interlocked tales. There is the teenage wannabe-DJ eager to play his first gig even as his family disastrously falls apart—who reappears many years later as an unhappy middle-aged man drunk-calling his ex-wife; a man who throws a living funeral for his dying brother; three friends who ponder penis captivus and one’s peculiar erectile dysfunction; a troubled woman who tries to find her peace-place in the world, helped by a headful of songs and a pot of ginger tea. Infused with the author’s resonant and evocative storytelling, each page holds “the depth of a novel” (Hari Kunzru); a character, a moment that will—like a favorite song—long linger in the heart and mind. BIO Chimeka Garricks is a Nigerian-Irish writer, editor, screenwriter, and script doctor. His work includes a collection of short stories, A Broken People's Playlist, a novel, and a script in development. He lives in the United Kingdom. REVIEWS "A dozen interlinked, music-oriented stories set in Port Harcourt, Nigeria, where Garricks was raised... Each songlike story feels like a breakout hit encapsulating the brokenness and the beauty in life’s soundtrack." -- Booklist (starred review) "These stories will stay with you long after you’ve turned the final page." -- She Reads, Best Book Club Pick of Spring 2023 "A Broken People’s Playlist is an addictive collection of authentic prose. Story after story made me stop to reflect on the complexities of life, our various loves––be it family, friendship or romance––and the way we’re all connected. Elegant, graceful and full of understanding, Garrick’s writing unwraps stories that touch the soul and make you glad to be part of the human race." -- Bisi Adjapon, author of The Teller of Secrets and Daughter in Exile [H] Harpervia / March 21, 2023 1.02" H x 8.35" L x 5.67" W (0.7 lbs) 224 pages [P] Harpervia / January 21, 2025 0.7" H x 8.2" L x 5.2" W (0.4 lbs) 224 pages

"A dozen interlinked, music-oriented stories set in Port Harcourt, Nigeria, where Garricks was raised... Each songlike story feels like a breakout hit encapsulating the brokenness and the beauty in life’s soundtrack."—Booklist, starred review
“Beautifully woven . . . a magical delight.”—Hari Kunzru, author of White Tears
A Broken People’s Playlist is set to the soundtrack of life, comprised of twelve music-inspired tales about love, the human condition, micro-moments, and the search for meaning and sometimes, redemption. It is also Chimeka Garricks’s love letter to his native city, Port Harcourt, introducing us to a cast of indelible characters in these loosely interlocked tales.
There is the teenage wannabe-DJ eager to play his first gig even as his family disastrously falls apart—who reappears many years later as an unhappy middle-aged man drunk-calling his ex-wife; a man who throws a living funeral for his dying brother; three friends who ponder penis captivus and one’s peculiar erectile dysfunction; a troubled woman who tries to find her peace-place in the world, helped by a headful of songs and a pot of ginger tea.
Infused with the author’s resonant and evocative storytelling, each page holds “the depth of a novel” (Hari Kunzru); a character, a moment that will—like a favorite song—long linger in the heart and mind.
BIO
<meta charset="utf-8">Chimeka Garricks is a Nigerian-Irish writer, editor, screenwriter, and script doctor. His work includes a collection of short stories, A Broken People's Playlist, a novel, and a script in development. He lives in the United Kingdom.
REVIEWS
"A dozen interlinked, music-oriented stories set in Port Harcourt, Nigeria, where Garricks was raised... Each songlike story feels like a breakout hit encapsulating the brokenness and the beauty in life’s soundtrack." -- Booklist (starred review)
"These stories will stay with you long after you’ve turned the final page." -- She Reads, Best Book Club Pick of Spring 2023
"A Broken People’s Playlist is an addictive collection of authentic prose. Story after story made me stop to reflect on the complexities of life, our various loves––be it family, friendship or romance––and the way we’re all connected. Elegant, graceful and full of understanding, Garrick’s writing unwraps stories that touch the soul and make you glad to be part of the human race." -- Bisi Adjapon, author of The Teller of Secrets and Daughter in Exile
[H]  Harpervia  /  March 21, 2023
<meta charset="utf-8"><meta charset="utf-8">1.02" H x 8.35" L x 5.67" W (0.7 lbs) 224 pages 
[P]  Harpervia  /  January 21, 2025
<meta charset="utf-8">0.7" H x 8.2" L x 5.2" W (0.4 lbs) 224 pages

A Broken People's Playlist: Stories (from Songs) /// Chimeka Garricks

A new cookbook for beginners and curious cooks by Emmy Award–winning talk show host and journalist Tamron Hall and her good friend, award-winning chef Lish Steiling.When Tamron Hall and Lish Steiling first met while working at the Today show, they never imagined that their friendship would lead to endless kitchen adventures filled with laughs, learning, and even tears of pure joy. In A Confident Cook, they share that same empowerment and excitement with those who are just beginning to cook.Learn how to select the tools you need (and skip the ones you don’t!), how to stock your pantry, and how to cook for one, two, or a whole group. This book is packed with scrumptious recipes, including Baked French Toast with Sparkling Berries, Crispy Fried Chicken, Harissa Roasted Carrots with Queso Fresco, and Chai-Spiced Pudding, as well as cocktails and mocktails like the delicious “Not Tonight, Satan.” Throughout, Lish and Tamron chat, teach, learn, and inspire you to keep it going in the kitchen! BIO Tamron Hall is an American broadcast journalist, television talk show host and author. In September 2019, Hall debuted her self-titled syndicated daytime talk show, which has earned her two Daytime Emmy Awards. REVIEWS “Lish and Tamron’s passion for cooking and sharing meals with family and friends comes crashing through the pages of this playful compendium of simple, delicious recipes and techniques. The book is chatty and personal, with very clear directions on how to really set up your kitchen and become a confident cook. With irresistible recipes like Big Citrus Dutch Baby with Ice Cream Sauce for brunch and Chicken Thighs with Dates and Olives for dinner, I am in. You need this book!” -- Suzanne Goin “Get ready for a culinary adventure like no other! A Confident Cook is not your average recipe collection. It’s a conversation between friends. Join Lish and Tamron as they deliver simple and tasty twists to your favorite dishes, from classics to favorites. Get ready to explore a whole new world of deliciousness!” -- Carla Hall“A Confident Cook is what happens when two genuine pros collaborate—in this case, a seasoned chef and an acclaimed host/interviewer. Together, Tamron and Lish get at the very heart and soul of cooking, why it matters, how it connects us, and how truly satisfying it can be when done with patience and love. Theirs is a friendship worth celebrating!” -- Gail Simmons“A Confident Cook is the perfect title for this book. It will give you the skills and tips you’ve always wanted and will make you feel great in the kitchen. It is amazing to see a professional like Lish teach her friend Tamron the ins and outs of cooking. Lish makes everything look so easy due to her vast background, and has an extremely wide range of what she can cook. You will use this book day in and day out as your reference bible for things we all want to master—the perfectly cooked eggs, the crispiest roast chicken, the ultimate potatoes, the simplest desserts that will make you look like a pro. Brava, Tamron and Lish.” -- Missy Robbins [H] Hyperion Avenue / September 03, 2024 0.9" H x 9.7" L x 7.7" W (2.7 lbs) 256 pages

A new cookbook for beginners and curious cooks by Emmy Award–winning talk show host and journalist Tamron Hall and her good friend, award-winning chef Lish Steiling. When Tamron Hall and Lish Steiling first met while working at the Today show, they never imagined that their friendship would lead to endless kitchen adventures filled with laughs, learning, and even tears of pure joy. In A Confident Cook, they share that same empowerment and excitement with those who are just beginning to cook. Learn how to select the tools you need (and skip the ones you don’t!), how to stock your pantry, and how to cook for one, two, or a whole group. This book is packed with scrumptious recipes, including Baked French Toast with Sparkling Berries, Crispy Fried Chicken, Harissa Roasted Carrots with Queso Fresco, and Chai-Spiced Pudding, as well as cocktails and mocktails like the delicious “Not Tonight, Satan.” Throughout, Lish and Tamron chat, teach, learn, and inspire you to keep it going in the kitchen!
BIO
<meta charset="utf-8">Tamron Hall is an American broadcast journalist, television talk show host and author. In September 2019, Hall debuted her self-titled syndicated daytime talk show, which has earned her two Daytime Emmy Awards.
REVIEWS
“Lish and Tamron’s passion for cooking and sharing meals with family and friends comes crashing through the pages of this playful compendium of simple, delicious recipes and techniques. The book is chatty and personal, with very clear directions on how to really set up your kitchen and become a confident cook. With irresistible recipes like Big Citrus Dutch Baby with Ice Cream Sauce for brunch and Chicken Thighs with Dates and Olives for dinner, I am in. You need this book!”  -- Suzanne Goin   “Get ready for a culinary adventure like no other! A Confident Cook is not your average recipe collection. It’s a conversation between friends. Join Lish and Tamron as they deliver simple and tasty twists to your favorite dishes, from classics to favorites. Get ready to explore a whole new world of deliciousness!” -- Carla Hall “A Confident Cook is what happens when two genuine pros collaborate—in this case, a seasoned chef and an acclaimed host/interviewer. Together, Tamron and Lish get at the very heart and soul of cooking, why it matters, how it connects us, and how truly satisfying it can be when done with patience and love. Theirs is a friendship worth celebrating!” -- Gail Simmons “A Confident Cook is the perfect title for this book. It will give you the skills and tips you’ve always wanted and will make you feel great in the kitchen. It is amazing to see a professional like Lish teach her friend Tamron the ins and outs of cooking. Lish makes everything look so easy due to her vast background, and has an extremely wide range of what she can cook. You will use this book day in and day out as your reference bible for things we all want to master—the perfectly cooked eggs, the crispiest roast chicken, the ultimate potatoes, the simplest desserts that will make you look like a pro. Brava, Tamron and Lish.”  -- Missy Robbins
[H]  Hyperion Avenue  /  September 03, 2024
<meta charset="utf-8"><meta charset="utf-8">0.9" H x 9.7" L x 7.7" W (2.7 lbs) 256 pages 
<div id="mobile-listen-to-a-clip"></div>
<div id="mobile-also-in-series"><a id="alsoinseries" name="#alsoinseries"></a></div>
<div id="mobile-also-by-author"></div>
<div id="mobile-author-spotlights"><a id="author" name="#author"></a></div>
<div id="mobile-second-product-detail"></div>
<div data-return-id="mobile-praise" id="desktop-praise">
<a id="praise" name="#praise"></a>
<div id="seemore-1" class="slot product-praise seemoreenable"></div>
</div>

A Confident Cook: Recipes for Joyous, No-Pressure Fun in the Kitchen /// Tamron Hall, Lish Sterling

-- This title will ship on or after February 18, 2025 -- A Domestic Cook Book (1866) by Malinda Russell is the oldest known published cookbook written by an African American woman. Born in Tennessee, and descended from Virginia freemen, Russell decided to move to Liberia at the age of 19. When her money for the trip was stolen, she was stranded in Lynchburg, Virginia, and began working as a cook and companion, traveling with women as a nurse. After living in Lynchburg for only four years, Russell’s husband died and she moved with her son to Tennessee where she kept a boarding house and then went on to run a pastry shop. After a second dramatic robbery in 1864, Russell moved to Paw Paw, Michigan, because she had heard it was the “garden of the west” and published a cookbook “with the intention of benefiting the public” as well as supporting herself. A Domestic Cook Book contains 260 recipes and household tips that draw from Malinda Russell’s twenty years of experience cooking in Southern kitchens, her boarding house, and her pastry shop, and showcase her skills as a pastry chef. This new edition includes a foreword by scholar Rafia Zafar as well as an introduction by the late food historian Janice Bluestein Longone that contextualize Russell’s cookbook. Using the only known copy of the original book housed in the Janice Bluestein Longone Culinary Archive at the University of Michigan Library's Special Collections Research Center, this new edition preserves an important part of Michigan and American history and makes it widely available to readers for the first time. BIO Malinda Russell was born and raised in eastern Tennessee. In 1864, Russell moved to Michigan, where she settled in the Paw Paw area and published this volume in 1866. [P] University of Michigan Regional / February 18, 2025 120 pages

-- This title will ship on or after February 18, 2025 --
A Domestic Cook Book (1866) by Malinda Russell is the oldest known published cookbook written by an African American woman. Born in Tennessee, and descended from Virginia freemen, Russell decided to move to Liberia at the age of 19. When her money for the trip was stolen, she was stranded in Lynchburg, Virginia, and began working as a cook and companion, traveling with women as a nurse. After living in Lynchburg for only four years, Russell’s husband died and she moved with her son to Tennessee where she kept a boarding house and then went on to run a pastry shop. After a second dramatic robbery in 1864, Russell moved to Paw Paw, Michigan, because she had heard it was the “garden of the west” and published a cookbook “with the intention of benefiting the public” as well as supporting herself.
A Domestic Cook Book contains 260 recipes and household tips that draw from Malinda Russell’s twenty years of experience cooking in Southern kitchens, her boarding house, and her pastry shop, and showcase her skills as a pastry chef. This new edition includes a foreword by scholar Rafia Zafar as well as an introduction by the late food historian Janice Bluestein Longone that contextualize Russell’s cookbook. Using the only known copy of the original book housed in the Janice Bluestein Longone Culinary Archive at the University of Michigan Library's Special Collections Research Center, this new edition preserves an important part of Michigan and American history and makes it widely available to readers for the first time.
BIO
Malinda Russell was born and raised in eastern Tennessee. In 1864, Russell moved to Michigan, where she settled in the Paw Paw area and published this volume in 1866.
[P]  University of Michigan Regional  /  February 18, 2025
<meta charset="utf-8">120 pages

A Domestic Cook Book Containing a Careful Selection of Useful Receipts for the Kitchen /// Malinda Russell /// pre

A Junior Library Guild Gold Standard Selection Expert quilter Kim Taylor shares a unique and powerful story of the celebration of the first Juneteenth, from the perspective of a young girl.On June 19, 1865, in Galveston, General Gordon Granger of the Union Army delivered the message that African Americans in Texas were free. Since then, Juneteenth, as the day has come to be known, has steadily gained recognition throughout the United States. ln 2020,a powerful wave of protests and demonstrations calling for racial justice and equality brought new awareness to the significance of the holiday.A Flag for Juneteenth depicts a close-knit community of enslaved African Americans on a plantation in Texas, the day before the announcement is to be made that all enslaved people are free. Young Huldah, who is preparing to celebrate her tenth birthday, can’t possibly anticipate how much her life will change that Juneteenth morning. The story follows Huldah and her community as they process the news of their freedom and celebrate together by creating a community freedom flag. Debut author and artist Kim Taylor sets this story apart by applying her skills as an expert quilter. Each of the illustrations has been lovingly hand sewn and quilted, giving the book a homespun, tactile quality that is altogether unique. BIO Kim Taylor is a speech language pathologist and Department Supervisor at a large school for deaf children on Long Island. She is also an expert quilter whose works have been exhibited at several venues throughout the Midatlantic region. Taylor’s quilts reflect African American life, and she tells stories through her materials (visit Kim’s website to see her quilts). After researching the origins of the Juneteenth celebration, she created a Juneteenth story quilt which she has exhibited and presented in dozens of local schools. Realizing that few teachers and students had ever heard of the holiday, she was moved to write the book A Flag for Juneteenth. REVIEWS “The picture book . . . not only reveals Taylor’s considerable talents as an inspiring raconteur but as a self-taught quilter whose creations uniquely and symbolically illustrate the historically based narrative.” -- Newsday★ ”Kim Taylor’s portrayal of a girl witnessing the first Juneteenth, accompanied by exquisite quilted artwork, is filled with a spirit of jubilation and freedom. . . . her textile art perfectly complements her evocative prose. . . .” -- BookPage, Starred Review “The illustrations quilted by Taylor display strong artistic use of color, texture, movement, stitching, and symbols. Each page has vibrant colors that grab readers at first glance. . . . Taylor effectively breathes life into the characters, even those muddled in the background, by showing their humanity in each page.” -- School Library Journal“Both lyrical and descriptive, Huldah’s voice conveys the joy that is found in freedom. . . . A great introduction to the federal holiday.” -- The Horn Book“Taylor aptly depicts this story through colorful woven fabrics and folk art-style, quilted scenes.” -- Booklist“[A] moving debut. . . . It’s a discussion-starting, personal-feeling portrait of a communal celebration.” -- Publishers Weekly“The art in this work from quilter Taylor is stunning. The craftsmanship and attention to detail are breathtaking. . . . Visually dazzling. . . .” -- Kirkus Reviews [H] Neal Porter Books / January 03, 2023 0.39" H x 10.24" L x 9.92" W (0.92 lbs) 40 pages

A Flag for Juneteenth /// Kim Taylor

﻿A Good Day to Bake is full of 70 sweet and savory baking recipes for any day of the week, led by flavor. Going through the ritual of bringing out the measuring scales, pouring out flour, whipping up the eggs, stirring the batter and impatiently slicing up warm cake is a beautiful thing that deserves to be enjoyed all year round no matter the day, season or occasion. This is a cookbook that embraces simplicity, mindfulness and the therapeutic comforts of baking. The Great British Bake Off's 2016 contestant Benjamina writes so warmly about cakes and her recipes speak to a natural, seasonal and down-to-earth way of baking. Chapters include Herbs & Tea, Stone Fruit & Berries, Vegetables, Best of Beige, Spice Cupboard, and Chocolate. Because every day is a good day to bake. BIO Benjamina Ebuehi writes recipes, styles and creates content for media, such as BBC Good Food, Waitrose Weekend and Guardian Feast as well as brands such as Sainsbury's, McVities, Lindt, Lyles Golden Syrup, Anthropologie, Baileys and Schwartz spices. Benjamina is an ambassador for the incredible social enterprise Luminary Bakery, and co-founded, with her sister Bonita, The Sister Table (www.thesistertable.com), hosting pop-up brunches and supper clubs for women across London. Her food blog Carrot and Crumb (www.carrotandcrumb.com) was a finalist in the 2019 Saveur Blog Awards. A Good Day to Bake is her second cookbook. [H] Quadrille Publishing / March 01, 2022 0.9" H x 9.9" L x 7.5" W (1.85 lbs) 192 pages

﻿<meta charset="UTF-8">A Good Day to Bake is full of 70 sweet and savory baking recipes for any day of the week, led by flavor. 
Going through the ritual of bringing out the measuring scales, pouring out flour, whipping up the eggs, stirring the batter and impatiently slicing up warm cake is a beautiful thing that deserves to be enjoyed all year round no matter the day, season or occasion. 
This is a cookbook that embraces simplicity, mindfulness and the therapeutic comforts of baking. The Great British Bake Off's 2016 contestant Benjamina writes so warmly about cakes and her recipes speak to a natural, seasonal and down-to-earth way of baking. Chapters include Herbs &amp; Tea, Stone Fruit &amp; Berries, Vegetables, Best of Beige, Spice Cupboard, and Chocolate. 
Because every day is a good day to bake.
BIO
Benjamina Ebuehi writes recipes, styles and creates content for media, such as BBC Good Food, Waitrose Weekend and Guardian Feast as well as brands such as Sainsbury's, McVities, Lindt, Lyles Golden Syrup, Anthropologie, Baileys and Schwartz spices.
Benjamina is an ambassador for the incredible social enterprise Luminary Bakery, and co-founded, with her sister Bonita, The Sister Table (www.thesistertable.com), hosting pop-up brunches and supper clubs for women across London. Her food blog Carrot and Crumb (www.carrotandcrumb.com) was a finalist in the 2019 Saveur Blog Awards.
A Good Day to Bake is her second cookbook.
[H] Quadrille Publishing  /  March 01, 2022
0.9" H x 9.9" L x 7.5" W (1.85 lbs) 192 pages

A Good Day to Bake: Simple Baking Recipes for Every Mood /// Benjamina Ebuehi

“A compelling story of how the transformative events of history weigh on individual lives and relationships.” - Barack ObamaThe Nobel Prize–nominated Kenyan writer’s best-known novel, featuring an introduction by Nobel Prize winner Abdulrazak GurnahSet in the wake of the Mau Mau rebellion and on the cusp of Kenya's independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952–1960 Emergency. At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested. BIO Ngugi wa Thiong'o is an award-winning novelist, playwright, and essayist from Kenya whose novels have been translated into more than thirty languages. He lives in Irvine, California, where he is Distinguished Professor of English and Comparative Literature at the University of California, Irvine. REVIEWS “One of the greatest writers of our time.” -- Chimamanda Ngozi Adichie, The Guardian“His novels . . . have been deservedly canonized by the iconic [Penguin Classics] series.” --The Wall Street Journal [P] Penguin Group / June 05, 2012 ﻿0.8" H x 7.6" L x 5.1" W (0.45 lbs) 272 pages

A Grain of Wheat /// Ngugi Wa Thiong'o, introduction by Abdulrazak Gurnah, edited by Chinua Achebe

The New York Times Book Review Editors’ Choice • Longlisted for the Orwell Prize for Political Fiction​ • A sweeping and beautifully rendered exploration of home and yearning, following the fracturing of a family upon the demise of its patriarch“Each character here is richly and deeply drawn…This is a novel that encourages us to stand in life’s burning doorways, and to think long before we walk away or walk through.”—New York TimesIn the early hours of June 14, 2017, the world watches as flames leap up the sides of a residential high-rise in West London, consuming Grenfell Tower and many of the lives within it. Across town, an earlier spark has caught fire. A cigarette left burning in an ashtray. A table strewn with post-it reminders and old newspapers. And one Cornelius Winston Pitt—estranged husband, complicated dad, and Pitt family patriarch—takes his final breaths alone.These twin tragedies open Diana Evans’s A House for Alice, an aching portrait of a family of women shaken by loss and searching for closure. At the novel’s center is Alice herself, the Pitt matriarch who, after fifty years in England, now longs to live out her final years in her homeland of Nigeria. Her three daughters are torn on the issue of whether she stays or goes, and while youngest sibling Melissa also grapples with the embers of her own failed relationship, the Pitt family’s foundational pillars—of trust, love, and cultural identity—begin to crack.Intimately drawn and set against a fraught political backdrop, yet equally full of hope, humor, and humanity, A House for Alice traces the scars of grief and betrayal across generations and uncovers the secrets we keep from those closest to us. BIO Diana Evans is the author of the novels 26a, The Wonder and Ordinary People. She has received nominations for the Whitbread First Novel, the Guardian First Book and the Commonwealth Best First Book awards and was the inaugural winner of the Orange Award for New Writers. Ordinary People won the 2019 South Bank Sky Arts Award for Literature and was shortlisted for the Women’s Prize for Fiction, the Rathbones Folio Prize and the Orwell Prize for Political Fiction, and also received a nomination for the Andrew Carnegie Medals for Excellence in Fiction. Her journalism appears in among others Time magazine, the Guardian, Vogue, and the Financial Times. She lives in London. REVIEWS A Most Anticipated Book: The New York Times, The Washington Post, The Boston Globe, Good Morning America •“Each character here is richly and deeply drawn, with histories and personalities so fully realized that it’s a pleasure to get to know them…This is a novel that encourages us to stand in life’s burning doorways, and to think long before we walk away or walk through.” -- New York Times“A beautiful, deep exploration of home and fractured families” -- Good Morning America“Twin domestic tragedies entwine in this richly loving and fraught novel. The 2017 Grenfell Towers fire in London looms as Diana Evans juxtaposes this disaster with the death of a patriarch whose loss complicates the actions of his wife, Alice, who longs to return at last to her homeland, Nigeria.” -- Boston Globe“The shifting sands of relationships, time, and place frame a vibrant new novel from an award-winning British writer.Broad in range, vivid in detail, alight often with eloquent language, Evans’ fourth novel, set among a Black community in London, takes time to reveal itself. Sprawling but always engaging, the novel’s cast is filled with rounded individuals, their problems and options as Black, middle-class Londoners showcased at work and play and contemplation, with humor and empathy.” -- Kirkus Review (starred review) “All is conjured with Evans’s keen eye for human behavior… Her prose is distinguished by its lively, lyrical energy, by its seemingly effortless expansiveness, and by masterful turns of phrase” -- Guardian “A warm but devastating narrative, dealing with the fallout of the Grenfell tragedy… Like any Evans novel, it is unputdownable” -- Harper’s Bazaar “Evans…has an exquisite turn of phrase…The people on the page, and the problems they face, are real and raw" -- Times UK [H] Pantheon Books / September 12, 2023 1.6" H x 9.3" L x 6.1" W (1.35 lbs) 352 pages

<div data-mce-fragment="1" id="mobile-about-the-book">
<div data-mce-fragment="1" class="slot product-about 9780593701089 isbn-related seemoreenable show opened" id="seemore-0" height-fold="377" target-height="744.289">
<section data-mce-fragment="1" class="overview">
The New York Times Book Review Editors’ Choice • Longlisted for the Orwell Prize for Political Fiction​ • A sweeping and beautifully rendered exploration of home and yearning, following the fracturing of a family upon the demise of its patriarch “Each character here is richly and deeply drawn…This is a novel that encourages us to stand in life’s burning doorways, and to think long before we walk away or walk through.” —New York Times In the early hours of June 14, 2017, the world watches as flames leap up the sides of a residential high-rise in West London, consuming Grenfell Tower and many of the lives within it. Across town, an earlier spark has caught fire. A cigarette left burning in an ashtray. A table strewn with post-it reminders and old newspapers. And one Cornelius Winston Pitt—estranged husband, complicated dad, and Pitt family patriarch—takes his final breaths alone. These twin tragedies open Diana Evans’s A House for Alice, an aching portrait of a family of women shaken by loss and searching for closure. At the novel’s center is Alice herself, the Pitt matriarch who, after fifty years in England, now longs to live out her final years in her homeland of Nigeria. Her three daughters are torn on the issue of whether she stays or goes, and while youngest sibling Melissa also grapples with the embers of her own failed relationship, the Pitt family’s foundational pillars—of trust, love, and cultural identity—begin to crack. Intimately drawn and set against a fraught political backdrop, yet equally full of hope, humor, and humanity, A House for Alice traces the scars of grief and betrayal across generations and uncovers the secrets we keep from those closest to us.
BIO
<meta charset="utf-8">Diana Evans is the author of the novels 26a, The Wonder and Ordinary People. She has received nominations for the Whitbread First Novel, the Guardian First Book and the Commonwealth Best First Book awards and was the inaugural winner of the Orange Award for New Writers. Ordinary People won the 2019 South Bank Sky Arts Award for Literature and was shortlisted for the Women’s Prize for Fiction, the Rathbones Folio Prize and the Orwell Prize for Political Fiction, and also received a nomination for the Andrew Carnegie Medals for Excellence in Fiction. Her journalism appears in among others Time magazine, the Guardian, Vogue, and the Financial Times. She lives in London.
REVIEWS
<meta charset="utf-8">A Most Anticipated Book: The New York Times, The Washington Post, The Boston Globe, Good Morning America • “Each character here is richly and deeply drawn, with histories and personalities so fully realized that it’s a pleasure to get to know them…This is a novel that encourages us to stand in life’s burning doorways, and to think long before we walk away or walk through.” -- New York Times “A beautiful, deep exploration of home and fractured families” -- Good Morning America “Twin domestic tragedies entwine in this richly loving and fraught novel. The 2017 Grenfell Towers fire in London looms as Diana Evans juxtaposes this disaster with the death of a patriarch whose loss complicates the actions of his wife, Alice, who longs to return at last to her homeland, Nigeria.” -- Boston Globe “The shifting sands of relationships, time, and place frame a vibrant new novel from an award-winning British writer. Broad in range, vivid in detail, alight often with eloquent language, Evans’ fourth novel, set among a Black community in London, takes time to reveal itself. Sprawling but always engaging, the novel’s cast is filled with rounded individuals, their problems and options as Black, middle-class Londoners showcased at work and play and contemplation, with humor and empathy.” -- Kirkus Review (starred review)   “All is conjured with Evans’s keen eye for human behavior… Her prose is distinguished by its lively, lyrical energy, by its seemingly effortless expansiveness, and by masterful turns of phrase” -- Guardian   “A warm but devastating narrative, dealing with the fallout of the Grenfell tragedy… Like any Evans novel, it is unputdownable” -- Harper’s Bazaar   “Evans…has an exquisite turn of phrase…The people on the page, and the problems they face, are real and raw" -- Times UK
</section>
</div>
</div>
<div data-mce-fragment="1" id="mobile-listen-to-a-clip">
<div data-mce-fragment="1" class="slot product-listen show">
[H]  Pantheon Books  /  September 12, 2023 
</div>
<div data-mce-fragment="1" class="slot product-listen show">
 1.6" H x 9.3" L x 6.1" W (1.35 lbs) 352 pages 
</div>
</div>

A House for Alice /// Diana Evans

Our history echoes with events which, over time, have become hidden, yet are important to all of us. Juneteenth is a celebration which recognizes the end of the enslavement of Black people in America. This book opens a door to understanding our history and celebrating our future—together.Meet A Kids Co., a new kind of media company with a collection of beautifully designed books that kickstart challenging, empowering, and important conversations for kids and their grownups. Learn more about us at akidsco.com. BIO Garrison Hayes (he/him) is a filmmaker, creator, and entrepreneur who amplifies stories which change the world. He believes the truth of the past helps us better understand the present and gives us the foundation to build a better tomorrow. [H] DK Publishing / May 21, 2024 0.5" H x 10.5" L x 8.3" W (0.9 lbs) 64 pages For ages 6 to 9

A Kids Book About Juneteenth /// Garrison Hayes

“Steady-handed and gut-punching. I’m in awe.”—NoViolet Bulawayo An Oprah Daily Most Anticipated Book of 2024 In ten vivid, evocative stories set in contemporary Nigeria, Uche Okonkwo’s extraordinary debut asks: why are the people and places we hold closest so often the ones that drive us to madness? A teenage girl from a poor family is dazzled by her rich, vivacious friend, but as the friend’s behavior grows unstable and dangerous, she must decide whether to cover for her or risk telling the truth to get her the help she needs. A young woman and her mother bask in the envy of their neighbors when the woman receives an offer of marriage from the family of a doctor living in Belgium—though when the offer fails to materialize, that envy threatens to turn vicious, pitting them both against their community. And a lonely daughter finds herself wandering a village in eastern Nigeria in an ill-fated quest, struggling to come to terms with her mother’s mental illness. Across ten stories, Uche Okonkwo’s A Kind of Madness unravels the tensions between mothers and daughters, husbands and wives, best friends, siblings, and more, marking the arrival of an extraordinary new talent in fiction. BIO Uche Okonkwo’s stories have been published in A Public Space, One Story, the Kenyon Review, Ploughshares, The Best American Nonrequired Reading 2019, and Lagos Noir, among others. A former Bernard O’Keefe Scholar at Bread Loaf Writers’ Conference and resident at Art Omi, she is a recipient of the George Bennett Fellowship at Phillips Exeter Academy, a Steinbeck Fellowship, and an Elizabeth George Foundation grant. Okonkwo grew up in Lagos, Nigeria, and is currently pursuing a creative writing PhD at the University of Nebraska-Lincoln REVIEWS "This debut short-story collection features 10 stories set in present-day Nigeria, all concerned with madness—both the literal madness of mental illness as well as the unruliness of outsize emotions like envy, shame, and desire." -- Oprah Daily, A Most Anticipated Book of 2024"Okonkwo has a Chekhovian eye for the tangle of internal motivations and assumptions that steer her characters. . . .Readers will be eager for more of Okonkwo’s artful writing." -- Publishers Weekly, starred review"Surprising, illuminating, and deeply human." -- Booklist"Vivid. . . . In addition to striking a perfect balance between humor and heartbreak, A Kind of Madness shows incredible wiseness on the complexity and at times maddening nature of loving our family, our friends, and our home.” -- Chicago Review of Books, A Best Book of April"Amazingly written characters in unforgettable settings. Okonkwo’s writing is transformative". -- Debutiful, A Best Book of April [P] Tin House Books / April 16, 2024 0.64" H x 8.52" L x 5.57" W (0.53 lbs) 224 pages

<div class="book-short-description" data-mce-fragment="1">
“Steady-handed and gut-punching. I’m in awe.”—NoViolet Bulawayo
An Oprah Daily Most Anticipated Book of 2024
In ten vivid, evocative stories set in contemporary Nigeria, Uche Okonkwo’s extraordinary debut asks: why are the people and places we hold closest so often the ones that drive us to madness?
</div>
A teenage girl from a poor family is dazzled by her rich, vivacious friend, but as the friend’s behavior grows unstable and dangerous, she must decide whether to cover for her or risk telling the truth to get her the help she needs. A young woman and her mother bask in the envy of their neighbors when the woman receives an offer of marriage from the family of a doctor living in Belgium—though when the offer fails to materialize, that envy threatens to turn vicious, pitting them both against their community. And a lonely daughter finds herself wandering a village in eastern Nigeria in an ill-fated quest, struggling to come to terms with her mother’s mental illness.
Across ten stories, Uche Okonkwo’s A Kind of Madness unravels the tensions between mothers and daughters, husbands and wives, best friends, siblings, and more, marking the arrival of an extraordinary new talent in fiction.
BIO
Uche Okonkwo’s stories have been published in A Public Space, One Story, the Kenyon Review, Ploughshares, The Best American Nonrequired Reading 2019, and Lagos Noir, among others. A former Bernard O’Keefe Scholar at Bread Loaf Writers’ Conference and resident at Art Omi, she is a recipient of the George Bennett Fellowship at Phillips Exeter Academy, a Steinbeck Fellowship, and an Elizabeth George Foundation grant. Okonkwo grew up in Lagos, Nigeria, and is currently pursuing a creative writing PhD at the University of Nebraska-Lincoln
REVIEWS
"This debut short-story collection features 10 stories set in present-day Nigeria, all concerned with madness—both the literal madness of mental illness as well as the unruliness of outsize emotions like envy, shame, and desire." -- Oprah Daily, A Most Anticipated Book of 2024 "Okonkwo has a Chekhovian eye for the tangle of internal motivations and assumptions that steer her characters. . . .Readers will be eager for more of Okonkwo’s artful writing." -- Publishers Weekly, starred review "Surprising, illuminating, and deeply human." -- Booklist "Vivid. . . . In addition to striking a perfect balance between humor and heartbreak, A Kind of Madness shows incredible wiseness on the complexity and at times maddening nature of loving our family, our friends, and our home.” -- Chicago Review of Books, A Best Book of April "Amazingly written characters in unforgettable settings. Okonkwo’s writing is transformative". -- Debutiful, A Best Book of April
[P]  Tin House Books  /  April 16, 2024
0.64" H x 8.52" L x 5.57" W (0.53 lbs) 224 pages

A Kind of Madness: Stories /// Uche Okonkwo

-- SIGNED COPIES - From the award-winning author of High on the Hog—inspiration for the “energetic, emotional, and deeply nuanced” (The New York Times) Netflix series of the same name—comes a new and updated edition of A Kwanzaa Keepsake, another important exploration of African American culture, food, and family, featuring recipes and stories to help this generation create unique holiday traditions.Now with a new introduction by award-winning writer and iconic culinary historian Jessica B. Harris, a foreword by chef and television personality Carla Hall, revised recipes and stories, and a fresh new package, A Kwanzaa Keepsake offers proverbs, ceremonies, family projects, inspirational biographies, blessings, and of course, wonderful recipes. Structured around the seven days of Kwanzaa and the virtues each day represents, Harris shares a themed feast for each night, designed to reflect the principle of the day. Some of the menus include:- Umoja (Unity), featuring dishes of multinational origin such as Seasoned Olives, Mechoui-Style Leg of Lamb with cumin, mint, and chili, and a classic Caribbean rum punch, and reminds readers of the union of all peoples of African descent. - Kujichagulia (Self-Determination), composed of dishes from the African continent including Sweet Potato Fritters, Grilled Pepper Salad, and Piment Aimee, a hot sauce from one of the author’s friends. - Kuumba (Creativity) is a healing supper and communal meal that opens the gates of remembrance through food. The repast is centered around a heritage recipe and includes others for Pickled Black-Eyed Peas, a fish dish from the the Ivory Coast, Spicy Cranberry Chutney, and a killer pecan pie with molasses whipped cream.Interspersed throughout the book are spaces to record family memories, sayings, and recipes. Rich in culinary history, and a source of inspiration for treasuring and recording family traditions both old and new, A Kwanzaa Keepsake is a book to cherish, and one that families will turn to again and again. BIO Dr. Jessica B. Harris holds a PhD from NYU and taught English at Queens College for more than thirty years. She lectures internationally. She is the author of High on the Hog, which inspired the hit 2021 Netflix show of the same name. She is also the author of a memoir, My Soul Looks Back, as well as twelve cookbooks. Her articles have appeared in Vogue, Food & Wine, Essence, and The New Yorker, among other publications. She has made numerous television and radio appearances and has been profiled in The New York Times. Considered one of the preeminent scholars of the food of the African Diaspora, Harris has been inducted into the James Beard Who’s Who in Food and Beverage in America, she received the James Beard Lifetime Achievement Award in 2020, and an Augie Award from the Culinary Institute of America in 2022. She also received an honorary doctorate from Johnson & Wales University and recently helped the Smithsonian Museum of African American History and Culture to conceptualize its cafeteria. [H] Scribner Book Company / November 05, 2024 0.64" H x 9.13" L x 7.38" W (0.53 lbs) 256 pages

A Kwanzaa Keepsake and Cookbook: Celebrating the Holiday with Family, Community, and Tradition /// Dr. Jessica B. Harris

In this lyrical picture book, world-renowned poet, New York Times bestselling author, and Coretta Scott King Honor winner Nikki Giovanni and fine artist Erin Robinson craft an ode to the magic of a library as a place not only for knowledge but also for imagination, exploration, and escape. In what other place can a child "sail their dreams" and "surf the rainbow" without ever leaving the room? This ode to libraries is a celebration for everyone who loves stories, from seasoned readers to those just learning to love words, and it will have kids and parents alike imagining where their library can take them. This inspiring read-aloud includes stunning illustrations and a note from Nikki Giovanni about the importance of libraries in her own childhood. BIO Nikki Giovanni, poet, activist, mother, and professor, is a seven-time NAACP Image Award winner and the first recipient of the Rosa Parks Woman of Courage Award, and holds the Langston Hughes Medal for Outstanding Poetry, among many other honors. The author of twenty-eight books and a Grammy nominee for The Nikki Giovanni Poetry Collection, she is the University Distinguished Professor of English at Virginia Tech in Blacksburg, Virginia. Erin Robinson is a Fashion Designer by trade but also a trained fine artist from Parsons School of Design and the Corcoran School of Art. Her daydreamy, magical imagination is inspired by travel, color, texture, the feminine shape and the many shades and coifs of Brooklyn. She currently splits her time between New York City and Washington, D.C. Find her at brooklyndolly.com and on Instagram @brooklyndolly. REVIEWS “Powerful.... Playful and inspiring. Every lover of books, young or old, will see themselves in this story.” -- Booklist (starred review) “Vibrant, carefully composed digital illustrations, with bright colors that invite readers in.... A lushly illustrated homage to librarians.” -- Kirkus Reviews “In this picture-book celebration of libraries and reading, poet Giovanni writes about the Carnegie Library, which she regularly visited as a child. Robinson’s digital art resembles vibrant collages.” -- Horn Book Magazine “Poetic text and evocative, textured illustrations work in concert to show how books and libraries enable people to imagine other lives—including other versions of their own selves.... A must-have.” -- School Library Journal [H] Versify / September 27, 2022 0.3" H x 11.1" L x 9.0" W (0.95 lbs) 32 pages

A Library /// Nikki Giovanni, illustrations by Erin K. Robinson

Tyree Daye’s a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye’s family has lived for the last 200 years, is reclaimed as the “Ritual House.” Here, “every cousin aunt uncle ghost” is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and “a little museum in the herein-&-after,” where collaged images appear beside documents from Daye’s ancestors—census records, marriage licenses, and WWII Draft Registration cards—the collection asks if the past can be a portal to the future, the present a catalyst for the past. a little bump in the earth explores what it means to love someone, someplace, even as it changes, dies right in front of your eyes. Poem by poem, Daye is honoring the people of Youngsville and “bringing back the dead.” BIO Tyree Daye is a poet from Youngsville, North Carolina. He is the author of two poetry collections, including River Hymns, the 2017 APR/Honickman First Book Prize winner. Daye is a 2017 Ruth Lilly Finalist and Cave Canem fellow. Daye’s work has been published in Prairie Schooner, The New York Times, and Nashville Review. Daye won the 2019 Palm Beach Poetry Festival Langston Hughes Fellowship, 2019 Diana and Simon Raab Writer-In-Residence at UC Santa Barbara and is a 2019 Kate Tufts Finalist. Daye most recently was awarded a 2019 Whiting Award and a 2019 Ragin Rubin Award winner. [P] Copper Canyon Press / April 02, 2024 0.5" H x 8.9" L x 6.9" W (0.45 lbs) 104 pages

a little bump in the earth /// Tyree Daye

THIS BOOK IS CURRENTLY OUT OF STOCK. Born in 1923 in Madisonville, Louisiana, Leah Chase would marry into the Chase restaurant family in nearby New Orleans, but that small geographic move would end up taking her worlds away. Today she is a national-award-winning cook and civic figure. This novel, told in the form of letters to God, shares her inspirational journey with middle-grade readers. BIO Carol Allen was born in Elton, Louisiana, part of Cajun country. As a young girl, she traveled across the state with her father and became fascinated with the richness of Louisiana culture and her own unique heritage. In 1968, she began teaching at Oakdale High School, where she experienced the switch to the integrated school system. Soon after, she became an elementary-school principal and completed her doctorate at the University of Nebraska-Lincoln. After a year as an assistant professor at the University of South Carolina, she returned home to become the superintendent of curriculum and instruction for New Orleans Public Schools. In 1985, Allen married a Frenchman and moved to France. There, she volunteered for various service organizations, served on boards for international schools, and worked for an educational institute in Paris that was affiliated with the American College in Paris. Allen helped plan and direct an international conference designed to address the needs and interests of expatriate women. The conference, organized and conducted entirely by volunteers, attracted four hundred conferees representing nineteen different nationalities from twenty-one different countries of residence. She went on to create the Paris Writers Workshop, now an internationally respected program that allows aspiring writers to develop their talents. Allen has written articles for the Writer's Chronicle, Washington Post, Epicurean Magazine, and the New Orleans Times-Picayune. Allen compiled and edited They Only Laughed Later: Tales of Women on the Move, a book of humorous essays written by women about their experiences living abroad. In 1996, she received honorable mention from Writer’s Market for a self-published book in the children's-literary category. She has been a guest lecturer at the Geneva Writers' Conference and is a motivational speaker for the European Speakers Bureau. Allen has been close friends with Leah Chase, the subject of her biography, Leah Chase: Listen, I Say Like This, for more than twenty years. For the book, she spent hours with Chase herself, in the woman's kitchen, reminiscing her own Louisiana childhood and the diverse background and joie de vivre that both the author and her subject share. In addition to writing, Allen loves to cook. Much to the surprise of her French neighbors, she garnered the grand prize in what is known as Les Journées Gourmandes in the region of the Vaucluse, Provence, where she lives most of the time. Her winning recipes were for jams and jellies in 1995 and for Wild-Mushroom Soup in 2001. [P] Pelican Publishing Company / August 24, 2020 0.6" H x 8.4" L x 5.4" W (0.65 lbs) 160 pages

THIS BOOK IS CURRENTLY OUT OF STOCK.
<meta charset="utf-8">Born in 1923 in Madisonville, Louisiana, Leah Chase would marry into the Chase restaurant family in nearby New Orleans, but that small geographic move would end up taking her worlds away. Today she is a national-award-winning cook and civic figure. This novel, told in the form of letters to God, shares her inspirational journey with middle-grade readers.
BIO
<meta charset="utf-8">Carol Allen was born in Elton, Louisiana, part of Cajun country. As a young girl, she traveled across the state with her father and became fascinated with the richness of Louisiana culture and her own unique heritage. In 1968, she began teaching at Oakdale High School, where she experienced the switch to the integrated school system. Soon after, she became an elementary-school principal and completed her doctorate at the University of Nebraska-Lincoln. After a year as an assistant professor at the University of South Carolina, she returned home to become the superintendent of curriculum and instruction for New Orleans Public Schools. In 1985, Allen married a Frenchman and moved to France. There, she volunteered for various service organizations, served on boards for international schools, and worked for an educational institute in Paris that was affiliated with the American College in Paris. Allen helped plan and direct an international conference designed to address the needs and interests of expatriate women. The conference, organized and conducted entirely by volunteers, attracted four hundred conferees representing nineteen different nationalities from twenty-one different countries of residence. She went on to create the Paris Writers Workshop, now an internationally respected program that allows aspiring writers to develop their talents. Allen has written articles for the Writer's Chronicle, Washington Post, Epicurean Magazine, and the New Orleans Times-Picayune. Allen compiled and edited They Only Laughed Later: Tales of Women on the Move, a book of humorous essays written by women about their experiences living abroad. In 1996, she received honorable mention from Writer’s Market for a self-published book in the children's-literary category. She has been a guest lecturer at the Geneva Writers' Conference and is a motivational speaker for the European Speakers Bureau. Allen has been close friends with Leah Chase, the subject of her biography, Leah Chase: Listen, I Say Like This, for more than twenty years. For the book, she spent hours with Chase herself, in the woman's kitchen, reminiscing her own Louisiana childhood and the diverse background and joie de vivre that both the author and her subject share. In addition to writing, Allen loves to cook. Much to the surprise of her French neighbors, she garnered the grand prize in what is known as Les Journées Gourmandes in the region of the Vaucluse, Provence, where she lives most of the time. Her winning recipes were for jams and jellies in 1995 and for Wild-Mushroom Soup in 2001.
[P]  Pelican Publishing Company  /  <meta charset="utf-8">August 24, 2020
<meta charset="utf-8">0.6" H x 8.4" L x 5.4" W (0.65 lbs) 160 pages

A Long Way from the Strawberry Patch: The Life of Leah Chase /// Carol Allen with Leah Chase

Leap years are a strange, enchanted time. And for some, even a single February can be life-changing.Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her.When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers.One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way. Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked. BIO Tia Williams is an American novelist and editor. She has published six books and is best known for The Accidental Diva, The Perfect Find, and Seven Days in June. She is also a long-time fashion editor and the current editorial director for the Estée Lauder Companies. REVIEWS If this cover doesn’t raise your temperature a few degrees, the story will. Grab a fan before reading this one, because it really heats up.” -- Good Housekeeping A hugely satisfying romance that is electrifying and alive. -- KirkusWhat’s on its face is a delightfully steamy read is a story layered with nuance that gracefully examines thornier topics of parenting in the modern age, life with chronic pain, and Black identity. Through it all, Williams’ clever and witty writing will leave you clamoring to be part of Mercy’s world. -- Reader's DigestThrough this gripping love story, Williams reckons with family histories and shows the power in rewriting our origin stories. Readers will feel as attached to these characters as Eva and Shane are to each other. -- BookPageWilliams doesn’t shy away from the darker aspects of human experience, and her characters are fully formed and believable as a result. This is a winning romance. -- Publishers WeeklyWilliams proves once again that there is much more to romance novels than meet-cutes and other reliable tropes. -- BooklistWith funny, snappy writing and a strong eye for detail, Williams builds a compelling, glamorous Black literary world for the protagonists to inhabit. The book balances a second-chance romance with themes of motherhood, childhood trauma, and life with chronic pain. -- Library JournalWilliams’ writing is zippy and fun to read, but her characters are also complicated individuals, making their love feel authentic. -- The Week [H] Grand Central Publishing / February 06, 2024 1.06" H x 9.14" L x 6.33" W (1.2 lbs) 352 pages

Leap years are a strange, enchanted time. And for some, even a single February can be life-changing. Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers. One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way.   Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked.  
BIO
Tia Williams is an American novelist and editor. She has published six books and is best known for The Accidental Diva, The Perfect Find, and Seven Days in June. She is also a long-time fashion editor and the current editorial director for the Estée Lauder Companies.
REVIEWS
If this cover doesn’t raise your temperature a few degrees, the story will. Grab a fan before reading this one, because it really heats up.” -- Good Housekeeping 
A hugely satisfying romance that is electrifying and alive. -- Kirkus What’s on its face is a delightfully steamy read is a story layered with nuance that gracefully examines thornier topics of parenting in the modern age, life with chronic pain, and Black identity. Through it all, Williams’ clever and witty writing will leave you clamoring to be part of Mercy’s world. -- Reader's Digest Through this gripping love story, Williams reckons with family histories and shows the power in rewriting our origin stories. Readers will feel as attached to these characters as Eva and Shane are to each other. -- BookPage Williams doesn’t shy away from the darker aspects of human experience, and her characters are fully formed and believable as a result. This is a winning romance. -- Publishers Weekly Williams proves once again that there is much more to romance novels than meet-cutes and other reliable tropes. -- Booklist With funny, snappy writing and a strong eye for detail, Williams builds a compelling, glamorous Black literary world for the protagonists to inhabit. The book balances a second-chance romance with themes of motherhood, childhood trauma, and life with chronic pain.   -- Library Journal Williams’ writing is zippy and fun to read, but her characters are also complicated individuals, making their love feel authentic. -- The Week
[H]  Grand Central Publishing  /  February 06, 2024
1.06" H x 9.14" L x 6.33" W (1.2 lbs) 352 pages

A Love Song for Ricki Wilde: A Novel /// Tia Williams

NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times), the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.One of the New York Times’s 100 Best Books of the 21st CenturyIn the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives. BIO Toni Morrison is the author of eleven novels, from The Bluest Eye (1970) to God Help the Child (2015). She received the National Book Critics Circle Award, the Pulitzer Prize, and in 1993 she was awarded the Nobel Prize in Literature. She died in 2019. REVIEWS A NEW YORK TIMES BOOK REVIEW BEST BOOK OF THE YEAR “Spellbinding. . . . Dazzling. . . . [A Mercy] stands alongside Beloved as a unique triumph.” -- The Washington Post Book World “A Mercy conjures up the beautiful, untamed, lawless world that was America in the seventeenth-century with the same sort of lyrical, verdant prose that distinguished [Beloved]. . . . A heartbreaking account of lost innocence and fractured dreams. . . . One of Morrison's most haunting works yet.” -- Michiko Kakutani, The New York Times “Luminous and complex. . . . Some of Morrison's best writing in years.” -- Time “Magnificent . . . As with all Morrison’s finest work, A Mercy compellingly combines immediacy and obliquity. Its evocation of pioneer existence in America surrounds you with sensuous intensity. . . . An attack by a bear is described with thrilling power. . . . Idioms have potent directness, too. . . . Rich knowledgeability about 17th-century America is put to telling effect. Voices speak to you as if you were there. . . . The book keeps you vividly aware of the vital human individuality that racism’s crude categorizations are brutally trying to iron out. . . . A stark story of the evils of possessiveness and the perils of dispossession emerges slantwise. Hints, suspicions, secrets, ambivalences, scarcely acknowledged motives and barely noticeable nuances serve as signposts to enormities and desperations: around slavery’s large-scale uprootings, Morrison spotlights individual instances of loss (orphans and outcasts are, as often in her fiction, much in evidence; compensatory alliances they form are warmly portrayed). A Mercy is so enthralling that you’ll want to read it more than once. On each occasion, it further reveals itself as a masterpiece of rewarding complexity.” -- Peter Kemp, The Sunday Times (London) “In [A Mercy,] a mother chooses to give her daughter to a stranger, the man who will ‘own’ her, in hopes that she’ll find a better life. It is this act from which the book derives its title, but it is, of course, an ambivalent gesture whose tragic resonance will be slowly unveiled. . . . Morrison here is seeking some deeper truth about what she once called ‘the presence of the unfree within the heart of the democratic experiment.’ Some regard this novel as a kind of prelude to Beloved, but the author has even more provocative ideas at play. . . . In writing about the horror of slavery, she finds a kind of ragged hope.” -- Renée Graham, Boston Sunday Globe “[A Mercy] examines slavery through the prism of power, not race. Morrison achieves this by setting A Mercy in 1680s America, when slavery was a color-blind, equal-opportunity state of misery, not yet the rigid, peculiar institution it would become. . . . Morrison doesn’t write traditional novels so much as create a hypnotic state of poetic intoxication. You don’t read A Mercy, you fall into a miasma of language and symbolism. [It] offers an original vision of America in its primeval state, where freedom was a rare commodity.” -- Deirdre Donahue, USA Today “[Toni Morrison] bound[s] into literature with her new book as if it were the first time, with the spry energy of a doe. A Mercy . . . is that beguiling and beautiful, that deftly condensed, that sinewy with imaginative sentences, lyric flight and abundant human sensitivity. . . . Finely hammered phrases repeatedly come off the anvil, forming a story as powerful as the many she has shaped before. Elements of this writer’s art from way back remain part of her achievement here. Like a mighty telescope perched on a contemporary plateau, Morrison draws in signals, moods, torments, exhilarations from African American life and history . . . Morrison mixes the verbal music of an era with idiosyncratic wisdom, delivered indirectly rather than ex cathedra, recalling omniscient Russian masters without imitating them. . . . Along the way come moments whose artistry freezes one’s page-turning. Morrison’s tactile reports rivet . . . What’s the opposite of ‘lazy’ in a fiction writer’s style and research? Industrious? Indefatigable? Morrison wears her knowledge lightly, yet every page exhibits her control of [the 17th century’s] objects and artifacts, its worries and dangers. She surrounds A Mercy’s more fanciful arabesques with a broad border of realism. . . . A book as masterfully wrought as A Mercy behooves its author to swagger. Go to it, Ms. Morrison.” -- Carlin Romano, The Philadelphia Inquirer “A grand tragedy writ in miniature . . . Women, men, Africans, Native Americans, whites, masters, slaves–all are cast into the hard world that is the New World in Toni Morrison’s lustrous new novel. In the same way, the Nobel Prize winner casts us into her hypnotic, many-voiced narrative set in the 17th century in a nation yet unformed. . . . We’re beguiled from the opening sentence: ‘Don’t be afraid.’ The speaker is Florens, black, barely out of childhood, a slave but literate, whose eager-to-please ways and lyrical language endear her to us and to the Virginia household of Jacob Vaark. . . . The subject of [A Mercy] is slavery, and [Morrison] brings to it, along with some of her most haunting language, elements of history and mythos. . . . A Mercy is kindled by characters who are complex and vulnerable, full of what she describes in Beloved as ‘awful human power.’ . . . This novel’s release coincides with the presidential election of Barack Obama, a shining moment in our country’s history of which Morrison’s characters can barely dream.” -- Ellen Kanner, The Miami Herald “Themes of slavery and grief, of women’s struggles to escape the bitterness of the captive world, are at the center of Morrison’s work. They also lie at the heart of her new novel, A Mercy, which looks to history [as in Beloved]–in this case, the 1680s and 1690s–to explore the agonies of slavery among the settlers of the New World. Such a description makes Morrison’s novel sound far too pat, however; it slights the poetry and breadth of her work. Yes, A Mercy is about slavery, but in the most universal sense, meaning the limits we place on ourselves as well as the confinements we suffer at the hands of others. . . . [It is] a work of poetry and intelligence, and a continuation of what John Updike has called [Morrison’s] ‘noble and necessary fictional project of exposing the infamies of slavery and the hardships of being African American.’ The story assumes even greater metaphorical power at this particular moment, with the election of Barack Obama as our first African American president.” --Judith Freeman, Los Angeles Times Book Review [H] Knopf Publishing Group / November 11, 2008 0.88" H x 9.56" L x 5.88" W (0.85 lbs) 176 pages [P] Vintage / August 11, 2009 0.7" H x 7.9" L x 5.2" W (0.46 lbs) 208 pages

A Mercy: A Novel /// Toni Morrison

Through images and texts both historical and contemporary, this book looks at the Great Migration and its profound and ongoing impactThis thoughtful interweaving of text and imagery presents a variety of perspectives on the Great Migration (1915–70), the mass exodus and dispersion of millions of African Americans out of the South. Through archival photography, newspaper clippings, maps, journal articles, book excerpts, and ephemera such as family recipes, the book immerses readers in Black history, the Great Migration, and its legacy. The book includes texts by authors ranging from W. E. B. Du Bois and Jean Toomer to Toni Tipton-Martin and culminates in a candid roundtable discussion about familial migration stories among some of the most respected Black artists, writers, and scholars working today: Theaster Gates, Kiese Laymon, Carrie Mae Weems, and others. The material is presented in three unique, thematic sections that explore the Great Migration’s impact on the American city, Black Southern foodways, and cultural expression. Taken as a whole, this important volume provides powerful testimony to the systemic challenges such as social segregation, racism, and discrimination that Black communities have faced from the post-Emancipation period to the present moment. BIO Jessica Bell Brown is curator and department head of contemporary art at the Baltimore Museum of Art. Ryan N. Dennis is chief curator and artistic director of the Center for Art & Public Exchange at the Mississippi Museum of Art. [H] Yale University Press / June 21, 2022 ﻿1.5" H x 10.5" L x 8.2" W (3.45 lbs) 320 pages

A Movement in Every Direction: A Great Migration Critical Reader /// edited by Jessica Bell Brown and Ryan N. Dennis

An airline captain crafts a riveting, adventurous novel inspired by the remarkable true life of pioneer aviatrix Bessie Coleman, a Black woman who learned to fly at the dawn of aviation and found freedom in the airA few years after the Wright brothers’ first flight, Bessie was working the Texas cotton fields with her family when an airplane flew over their heads. It buzzed so low she thought she could catch it in her hands. Bessie was fearless. She knew there was freedom in those wings.The daughter of a woman born into slavery, Bessie answers the call of the Great Migration. She moves to Chicago, where she wins the backing of two wealthy, powerful Black men—Robert Abbott, creator and publisher of the Chicago Defender, and Jesse Binga, the founder of Chicago’s first Black bank. Abbott becomes her mentor, while Binga becomes her lover. Her true first love, though, remains flying.But in 1920, no one in the United States will train a Black woman to fly. So, twenty-eight-year-old Bessie learns to speak French and sets off for Europe. Two years ahead of Amelia Earhart, Bessie earns her pilot's license, and later she learns death-defying stunts from French and German dogfighting combat pilots.While she finds no prejudice in the air, Bessie wrestles with other challenges on the ground. A plane crash nearly kills her, her brothers seem to be crumbling under the weight of Jim Crow, and, while grappling with tough truths about Binga, Bessie begins to wonder if the freedom she finds in the sky means she must otherwise fly solo.With tenderness and mastery, Carole Hopson imagines the breathtaking moxie Bessie Coleman harnessed in order to lift herself out of poverty and become known as “Queen Bess." BIO Carole Hopson is a Boeing 737 captain for United Airlines, based in Newark, New Jersey. After a twenty-year career as a journalist and executive for iconic brands like the National Football League, Foot Locker, and L’Oréal, Carole followed her dream to become a pilot. A century after Bessie Coleman soared over seemingly insurmountable obstacles, Black women in the U.S. account for less than one percent of all professional pilots. Inspired by Bessie’s spellbinding accomplishments, Carole founded the Jet Black Foundation, a 501(c)(3) organization dedicated to sending one hundred Black women to flight school by the year 2035. www.carolehopson.com REVIEWS Named one of Essence’s “Top 15 Book Picks For Summer 2024”One of Library Journal’s Best Historical Fiction Books of 2024“Fascinating. . . . It is so rich and nuanced, both in the historical background and in Bessie’s remarkable character, relationships, and challenges, that it deserves to be a bestseller. Highly recommended.” -- Jinny Webber, Historical Novel Society“Absorbing debut. . . . Hopson's narrative celebrates Bessie's success both as a woman and a symbol: a bold, resolute trailblazer who sought freedom above the clouds and inspired her fellow Black Americans to do the same.” -- Katie Noah Gibson, Shelf Awareness (starred review)“Hopson shines a welcome light on her indomitable and unsung heroine, and her technical knowledge enriches the many exhilarating aerial scenes.” -- Publishers Weekly“Hopson, a United Airlines captain, vividly evokes the experience of flight and does a commendable job illuminating Coleman’s struggles with self-doubt and isolation even as she becomes a media sensation. . . . Fans of women-focused and African American historical fiction will appreciate Hopson's meticulously researched take on the life of a pioneering figure in aviation history.” -- Booklist“Invigorating! A Pair of Wings is the inspiring, richly detailed American Great Migration story we’ve been missing. Carole Hopson writes heroine and pioneer Bessie Coleman as if she’s been living inside her head. I loved it.” -- Crystal Smith Paul, author of Did You Hear About Kitty Karr?“Bessie Coleman was a pioneering aviatrix who, in the early part of the twentieth century, was forced to travel to France to learn to fly, as no one in the U.S. would give a Black woman lessons. Her thrilling true story makes for an exciting, inspiring work of fiction in Hopson’s hands. This may be the author’s first novel, but as a professional pilot herself, she takes the tale and soars with it.” -- Leigh Haber, founding books director of Oprah Daily and former head of Oprah’s Book Club [H] Henry Holt & Company / August 20, 2024 1.36" H x 9.5" L x 6.43" W (1.34 lbs) 432 pages

A Pair of Wings: A Novel /// Carole Hopson

-- This title will ship on or after February 04, 2025 – An astounding multigenerational saga, Red Clay chronicles the interwoven lives of an enslaved Black family and their white owners as the Civil War ends and Reconstruction begins. In 1943, when a frail old white woman shows up in Red Clay, Alabama, at the home of a Black former slave—on the morning following his funeral—his family hardly knows what to expect after she utters the words “… a lifetime ago, my family owned yours.” Adelaide Parker has a story to tell—one of ambition, betrayal, violence, and redemption—that shaped both the fate of her family and that of the late Felix H. Parker. But there are gaps in her knowledge, and she’s come to Red Clay seeking answers from a family with whom she shares a name and a history that neither knows in full. In an epic saga that takes us from Red Clay to Paris, to the Côte d’Azur and New Orleans, human frailties are pushed to their limits as secrets are exposed and the line between good and evil becomes ever more difficult to discern. Red Clay is a tale that deftly lays bare the ugliness of slavery, the uncertainty of the final months of the Civil War, the optimism of Reconstruction, and the pain and frustration of Jim Crow. With a vivid sense of place and a cast of memorable characters, Charles B. Fancher draws upon his own family history to weave a riveting tale of triumph over adversity, set against a backdrop of societal change and racial animus that reverberates in contemporary America. Through seasons of joy and unspeakable pain, Fancher delivers rich moments as allies become enemies, and enemies—to their great surprise—find new respect for each other. BIO Charles B. Fancher is a writer and editor, and a former senior corporate communications executive for The Philadelphia Inquirer, Philadelphia Daily News, and the Corporation for Public Broadcasting. He also worked as a journalist for The Philadelphia Inquirer, the Detroit Free Press, and WSM-TV, as well as a publicist for the ABC Television Network. Fancher was previously a member of the School of Communications faculty at Howard University and the adjunct faculty at Temple University. He lives in Pennsylvania’s Pocono Mountains. REVIEWS “I was swept away by Charles Fancher’s Red Clay, a mesmerizing, ambitious novel about the way family secrets are often braided into America’s shameful history of slavery, and the hope and resilience needed to survive its aftermath.” -- Jess Walter, author of The Cold Millions “At once a riveting family story and a heartbreaking tour of American history, Red Clay overflows with pain, hope, and grace. It is that rare novel that shows us who we are by reminding us where we have been.” -- Michael O’Donnell, author of Above the Fire “The granddaughter of a man born into slavery learns his story from a descendant of his enslavers in this immersive debut novel…Fancher imbues the narrative with a rich humanity…There’s plenty for historical fiction fans to admire." -- Publishers Weekly [H] Blackstone Publishing / February 04, 2025 1.4" H x 9.3" L x 6.4" W (1.35 lbs) 336 pages

-- This title will ship on or after February 04, 2025 –
An astounding multigenerational saga, Red Clay chronicles the interwoven lives of an enslaved Black family and their white owners as the Civil War ends and Reconstruction begins.
In 1943, when a frail old white woman shows up in Red Clay, Alabama, at the home of a Black former slave—on the morning following his funeral—his family hardly knows what to expect after she utters the words “… a lifetime ago, my family owned yours.” Adelaide Parker has a story to tell—one of ambition, betrayal, violence, and redemption—that shaped both the fate of her family and that of the late Felix H. Parker.
But there are gaps in her knowledge, and she’s come to Red Clay seeking answers from a family with whom she shares a name and a history that neither knows in full. In an epic saga that takes us from Red Clay to Paris, to the Côte d’Azur and New Orleans, human frailties are pushed to their limits as secrets are exposed and the line between good and evil becomes ever more difficult to discern. Red Clay is a tale that deftly lays bare the ugliness of slavery, the uncertainty of the final months of the Civil War, the optimism of Reconstruction, and the pain and frustration of Jim Crow.
With a vivid sense of place and a cast of memorable characters, Charles B. Fancher draws upon his own family history to weave a riveting tale of triumph over adversity, set against a backdrop of societal change and racial animus that reverberates in contemporary America. Through seasons of joy and unspeakable pain, Fancher delivers rich moments as allies become enemies, and enemies—to their great surprise—find new respect for each other.
BIO
<meta charset="utf-8">Charles B. Fancher is a writer and editor, and a former senior corporate communications executive for The Philadelphia Inquirer, Philadelphia Daily News, and the Corporation for Public Broadcasting. He also worked as a journalist for The Philadelphia Inquirer, the Detroit Free Press, and WSM-TV, as well as a publicist for the ABC Television Network. Fancher was previously a member of the School of Communications faculty at Howard University and the adjunct faculty at Temple University. He lives in Pennsylvania’s Pocono Mountains.
REVIEWS
“I was swept away by Charles Fancher’s Red Clay, a mesmerizing, ambitious novel about the way family secrets are often braided into America’s shameful history of slavery, and the hope and resilience needed to survive its aftermath.” -- Jess Walter, author of The Cold Millions 
“At once a riveting family story and a heartbreaking tour of American history, Red Clay overflows with pain, hope, and grace. It is that rare novel that shows us who we are by reminding us where we have been.” -- Michael O’Donnell, author of Above the Fire
“The granddaughter of a man born into slavery learns his story from a descendant of his enslavers in this immersive debut novel…Fancher imbues the narrative with a rich humanity…There’s plenty for historical fiction fans to admire." -- Publishers Weekly
[H]  Blackstone Publishing  /  February 04, 2025
1.4" H x 9.3" L x 6.4" W (1.35 lbs) 336 pages

Red Clay /// Charles B. Fancher /// pre

-- This title will ship on or after February 04, 2025 – A young girl must face a life-altering decision after awakening her sister’s ghost, navigating truths about love, friendship, and power as the Civil War looms.“The richly textured prose quickly pulled me into [Junie’s] treacherous yet magical world.”—Charmaine Wilkerson, New York Times bestselling author of Black Cake Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act—one that rouses Minnie’s spirit from the grave, tethered to this world unless Junie can free her. She enlists the aid of Caleb, the guests’ coachman, and their friendship soon becomes something more. Yet as long-held truths begin to crumble, she realizes Bellereine is harboring dark and horrifying secrets that can no longer be ignored. With time ticking down, Junie begins to push against the harsh current that has controlled her entire life. As she grapples with an increasingly unfamiliar world in which she has little control, she is forced to ask herself: When we choose love and liberation, what must we leave behind? BIO Erin Crosby Eckstine is an author of speculative historical fiction, personal essays, and anything else she’s in the mood for. Born in Montgomery, Alabama, Eckstine grew up between the South and Los Angeles before moving to New York City to attend Barnard College. She earned a master’s in secondary English education from Stanford University and taught high school English for six years. She lives in Brooklyn with her partner and their cats. REVIEWS The richly textured prose quickly pulled me into the protagonist’s treacherous yet magical world. I was drawn to the story of Junie, an enslaved teenager with a love of books and nature who must navigate difficult truths about her family and friendships in order to survive her times.” -- Charmaine Wilkerson, New York Times bestselling author of Black Cake“Propulsive and haunting, young Junie takes on the many burdens handed to her while reaching for the hope she wasn’t meant to have. Erin Crosby Eckstine breathes urgency, wit, and resilience into her preternaturally gifted protagonist. Junie is a lush and immersive story about power, reckoning, love, and redemption. . . . A true beauty of a book.” -- Diane Marie Brown, author of Black Candle Women“Junie is the beating heart of this powerful and moving coming-of-age novel, insisting on her right to language, love, and a life on her own terms. Rich in historical detail and packed with suspense, this is a story of survival I will not forget.” -- Erin Swan, author of Walk the Vanished Earth“A haunting tale about power, family, and the difficult choices we sometimes have to make for (or in spite of) the people we love. Here is a novel that takes a clear-eyed look at the brutality of slavery without ever depriving the people harmed by it of their agency and humanity.” -- Rita Chang-Eppig, author of Deep as the Sky, Red as the Sea“Eckstine combines the lyricism of Jesmyn Ward and Toni Morrison with the speculative historical fiction of Tananarive Due and Leslye Penelope in a stunning debut that will also appeal to fans of Percival Everett’s James.” -- Booklist, starred review“A compelling portrait of the psychological, emotional, and social degradations of slavery . . . Eckstine is a talented writer to watch. Featuring a spirited protagonist, this compelling mix of the historical and the supernatural will resonate.” -- Kirkus Reviews [H] Ballantine Books / February 04, 2025 1.34" H x 9.21" L x 6.38" W (1.27 lbs) 368 pages

-- This title will ship on or after February 04, 2025 –
<meta charset="utf-8">A young girl must face a life-altering decision after awakening her sister’s ghost, navigating truths about love, friendship, and power as the Civil War looms. “The richly textured prose quickly pulled me into [Junie’s] treacherous yet magical world.”—Charmaine Wilkerson, New York Times bestselling author of Black Cake   Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie.   When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act—one that rouses Minnie’s spirit from the grave, tethered to this world unless Junie can free her. She enlists the aid of Caleb, the guests’ coachman, and their friendship soon becomes something more. Yet as long-held truths begin to crumble, she realizes Bellereine is harboring dark and horrifying secrets that can no longer be ignored.   With time ticking down, Junie begins to push against the harsh current that has controlled her entire life. As she grapples with an increasingly unfamiliar world in which she has little control, she is forced to ask herself: When we choose love and liberation, what must we leave behind?
BIO
<meta charset="utf-8">Erin Crosby Eckstine is an author of speculative historical fiction, personal essays, and anything else she’s in the mood for. Born in Montgomery, Alabama, Eckstine grew up between the South and Los Angeles before moving to New York City to attend Barnard College. She earned a master’s in secondary English education from Stanford University and taught high school English for six years. She lives in Brooklyn with her partner and their cats.
REVIEWS 
<meta charset="utf-8">The richly textured prose quickly pulled me into the protagonist’s treacherous yet magical world. I was drawn to the story of Junie, an enslaved teenager with a love of books and nature who must navigate difficult truths about her family and friendships in order to survive her times.” -- Charmaine Wilkerson, New York Times bestselling author of Black Cake “Propulsive and haunting, young Junie takes on the many burdens handed to her while reaching for the hope she wasn’t meant to have. Erin Crosby Eckstine breathes urgency, wit, and resilience into her preternaturally gifted protagonist. Junie is a lush and immersive story about power, reckoning, love, and redemption. . . . A true beauty of a book.” -- Diane Marie Brown, author of Black Candle Women “Junie is the beating heart of this powerful and moving coming-of-age novel, insisting on her right to language, love, and a life on her own terms. Rich in historical detail and packed with suspense, this is a story of survival I will not forget.” -- Erin Swan, author of Walk the Vanished Earth “A haunting tale about power, family, and the difficult choices we sometimes have to make for (or in spite of) the people we love. Here is a novel that takes a clear-eyed look at the brutality of slavery without ever depriving the people harmed by it of their agency and humanity.” -- Rita Chang-Eppig, author of Deep as the Sky, Red as the Sea “Eckstine combines the lyricism of Jesmyn Ward and Toni Morrison with the speculative historical fiction of Tananarive Due and Leslye Penelope in a stunning debut that will also appeal to fans of Percival Everett’s James.” -- Booklist, starred review “A compelling portrait of the psychological, emotional, and social degradations of slavery . . . Eckstine is a talented writer to watch. Featuring a spirited protagonist, this compelling mix of the historical and the supernatural will resonate.” -- Kirkus Reviews
[H]  Ballantine Books  /  February 04, 2025
<meta charset="utf-8">1.34" H x 9.21" L x 6.38" W (1.27 lbs) 368 pages

Junie: A Novel /// Erin Crosby Eckstine /// pre

Leah Lange Chase was raised in a small, country town across Lake Pontchartrain from New Orleans. With the values instilled in her by devoted parents-hard work, faith, and family-she soon grew into a woman to be reckoned with. In her roles as chef of the most popular Creole restaurant in New Orleans, nationally respected patron of the arts, and civic leader, she has influenced the world around her in important ways. Reading her story makes one think, If she can do it, maybe I can too. BIO Carol Allen began her career as an educator and school administrator in public schools in Louisiana and Nebraska and as a university professor in South Carolina. She founded and, for six years, directed the Paris Writers Workshop and organized the international conference, Women on the Move. She is the author of a book of children's poetry and has edited a collection of essays by women on living abroad. Allen divides her time between Provence and Paris, France, and New Orleans, Louisiana. [P] Pelican Publishing / November 05, 2024 0.5" H x 8.9" L x 6.1" W (0.9 lbs) 192 pages

Leah Chase: Listen, I Say Like This /// Carol Allen

-- THIS TITLE IS BACKORDERED AND MAY TAKE LONGER TO SHIP – The works in Leah Chase: Paintings by Gustave Blache III, which feature the Dooky Chase Restaurant series, are the core of the exhibition at the New Orleans Museum of Art, April - September 2012Cutting Squash, 2010, reproduced in the exhibition catalogue, is an acquisition of the National Portrait Gallery, Smithsonian Institution, Washington, DC and Dooky Chase Restaurant is one of the cultural icons of cuisine across the world. Blache felt that if he could show the public the behind-the-scenes aspect of the hard work that Mrs. Chase and her staff do for our enjoyment, then my ultimate goal for this series has been achieved. Raised and educated in New Orleans, painter Gustave Blache III brings a fundamental and indigenous understanding to his depiction of world-renowned chef Leah Chase at work in her equally legendary establishment Dooky Chase's Restaurant, in New Orleans' 5th Ward. In addition to authentic Creole cuisine, the restaurant is also home to an extensive display of African American art, collected by Leah Chase beginning in the late 1970s and continuing to this day.Perceptive and knowledgeable essays explain Blache's process and technique behind the portrayal of everyday, quotidian tasks carried out in the kitchen by 89-year-old Leah Chase, the consummate and award-winning 'Queen of Creole Cuisine.' BIO Gustave Blache III graduated from the School of Visual Arts in Savannah, earned an MFA from the School of Visual Arts in New York, and has exhibited alongside works by Edgar Degas, Mary Cassatt, Reginald Marsh, Willem de Kooning, and Jasper Johns, among others [H] Hudson Hills / July 16, 2012 0.6" H x 10.7" L x 10.1" W (1.7 lbs) 81 pages

-- THIS TITLE IS BACKORDERED AND MAY TAKE LONGER TO SHIP –
<meta charset="utf-8">The works in Leah Chase: Paintings by Gustave Blache III, which feature the Dooky Chase Restaurant series, are the core of the exhibition at the New Orleans Museum of Art, April - September 2012 Cutting Squash, 2010, reproduced in the exhibition catalogue, is an acquisition of the National Portrait Gallery, Smithsonian Institution, Washington, DC and Dooky Chase Restaurant is one of the cultural icons of cuisine across the world. Blache felt that if he could show the public the behind-the-scenes aspect of the hard work that Mrs. Chase and her staff do for our enjoyment, then my ultimate goal for this series has been achieved.  Raised and educated in New Orleans, painter Gustave Blache III brings a fundamental and indigenous understanding to his depiction of world-renowned chef Leah Chase at work in her equally legendary establishment Dooky Chase's Restaurant, in New Orleans' 5th Ward. In addition to authentic Creole cuisine, the restaurant is also home to an extensive display of African American art, collected by Leah Chase beginning in the late 1970s and continuing to this day. Perceptive and knowledgeable essays explain Blache's process and technique behind the portrayal of everyday, quotidian tasks carried out in the kitchen by 89-year-old Leah Chase, the consummate and award-winning 'Queen of Creole Cuisine.' 
BIO
Gustave Blache III graduated from the School of Visual Arts in Savannah, earned an MFA from the School of Visual Arts in New York, and has exhibited alongside works by Edgar Degas, Mary Cassatt, Reginald Marsh, Willem de Kooning, and Jasper Johns, among others
[H]  Hudson Hills  /  July 16, 2012
0.6" H x 10.7" L x 10.1" W (1.7 lbs) 81 pages

Leah Chase: Paintings by Gustave Blache III /// Gustave Blache III

In this electrifying debut poetry collection—written with the ferocity of Rita Dove’s groundbreaking Thomas and Beulah—a critically acclaimed award-winning talent explores a wide range of emotions, from anxiety to ecstasy reflecting the moon's phases, from Waning Gibbous to Full. Both intimate and intricately structured Tramaine Suubi’s remarkable work is inspired by the moon—its phases’ effects on water, the Earth, and our bodies. Phases relishes in the beauty of change, even that caused by heartbreak. Suubi’s refreshing, vulnerable verse begs to be underlined, memorized, and shared; each of her poems operate as love letters to the cyclical healing that occurs in nature, in our bodies, and in the bodies that have come before us. BIO Tramaine Suubi is a quadrilingual multi-hyphenate Bantu writer hailing from Kampala. They are a graduate of Wheaton College, the Iowa Writers’ Workshop, a Yellow Arrow Writer-in-Residence, and the 2022 Tin House Summer Workshop. [P] Amistad Press / January 28, 2025 0.5" H x 8.2" L x 6.0" W (0.3 lbs) 160 pages

In this electrifying debut poetry collection—written with the ferocity of Rita Dove’s groundbreaking Thomas and Beulah—a critically acclaimed award-winning talent explores a wide range of emotions, from anxiety to ecstasy reflecting the moon's phases, from Waning Gibbous to Full.
Both intimate and intricately structured Tramaine Suubi’s remarkable work is inspired by the moon—its phases’ effects on water, the Earth, and our bodies. Phases relishes in the beauty of change, even that caused by heartbreak. Suubi’s refreshing, vulnerable verse begs to be underlined, memorized, and shared; each of her poems operate as love letters to the cyclical healing that occurs in nature, in our bodies, and in the bodies that have come before us.
BIO
<meta charset="utf-8">Tramaine Suubi is a quadrilingual multi-hyphenate Bantu writer hailing from Kampala. They are a graduate of Wheaton College, the Iowa Writers’ Workshop, a Yellow Arrow Writer-in-Residence, and the 2022 Tin House Summer Workshop.
[P]  Amistad Press  /  January 28, 2025
<meta charset="utf-8">0.5" H x 8.2" L x 6.0" W (0.3 lbs) 160 pages

Phases: Poems /// Tramaine Suubi /// new

"A rich, thoughtful anthology exploring centuries of Black poetry." —Kirkus Reviews (starred review) "This deep and complex assemblage of Black poetry culminates in a joyful, painful, and emotionally rich experience." —Publishers Weekly (starred review) "An eclectic mix of Black experiences fills this unmatched anthology that features both modern poets, such as Nikki Giovanni and Ibi Zoboi, and 'the brilliant Black poets who are now ancestors'... A fresh canon for poetry studies."—ALA Booklist (starred review) "An excellent collection of poetry that is an insightful read on the Black experience"—School and Library Journal Starring thirty-seven poets, with contributions from acclaimed authors, including Kwame Alexander, Ibi Zoboi, and Nikki Giovanni, this breathtaking Black YA poetry anthology edited by National Book Award finalist Amber McBride, Taylor Byas, and Erica Martin celebrates Black poetry, folklore, and culture. Come, claim your wings. Lift your life above the earth, return to the land of your father’s birth. What exactly is it to be Black in America? Well, for some, it’s learning how to morph the hatred placed by others into love for oneself; for others, it’s unearthing the strength it takes to continue to hold one’s swagger when multitudinous factors work to make Black lives crumble. For some, it’s gathering around the kitchen table as Grandma tells the story of Anansi the spider, while for others it's grinning from ear to ear while eating auntie’s spectacular 7Up cake. Black experiences and traditions are complex, striking, and vast—they stretch longer than the Nile and are four times as deep—and carry more than just unimaginable pain—there is also joy. Featuring an all-star group of thirty-seven powerful poetic voices, including such luminaries as Kwame Alexander, James Baldwin, Ibi Zoboi, Audre Lorde, Nikki Giovanni, and Gwendolyn Brooks, this riveting anthology depicts the diversity of the Black experience by fostering a conversation about race, faith, heritage, and resilience between fresh poets and the literary ancestors that came before them. Edited by Taylor Byas, Erica Martin, and Coretta Scott King New Talent Award winner Amber McBride, Poemhood will simultaneously highlight the duality and nuance at the crux of so many Black experiences with poetry being the psalm constantly playing. BIO Amber McBride received her MFA in poetry from Emerson College in 2012. She also served as the media assistant at the Furious Flower Poetry Center. Her poetry has appeared in various literary magazines, including Ploughshares, Provincetown Arts, Willow Springs, the Cincinnati Review, the Rumpus.She has been nominated twice for Best on the Net awards. Her debut YA novel in verse, Me (Moth), was a finalist for the Morris Award and National Book Award in Children's Literature and won the John Steptoe–Coretta Scott King Award. Her sophomore novel in verse, We Are All So Good at Smiling, received four starred reviews. Erica Martin is a freelance editor and a poet. Her debut poetry collection, And We Rise, was an ABA Indies Introduce selection as well as an ABA Indie Next pick. She has been featured by Oprah Daily and enjoys making a difference in the world through political activism, reading, and writing. When she’s not reading and writing, you can find her editing, baking pies, or watching The Vampire Diaries for the millionth time. Taylor Byas is a Black Chicago native currently living in Cincinnati, Ohio. She is the first-place winner of the 2020 Poetry Super Highway, the 2020 Frontier Poetry Award for New Poets, and the 2021 Adrienne Rich Award for Poetry. She is the author of the chapbooks Bloodwarm and Shutter and her debut full-length collection, I Done Clicked My Heels Three Times. She is also a coeditor of The Southern Poetry Anthology, Volume X: Alabama. [H] HarperCollins / January 30, 2024 0.7" H x 8.2" L x 5.5" W (0.5 lbs) 160 pages [P] HarperCollins / January 28, 2025 0.6" H x 8.0" L x 5.4" W (0.3 lbs) 160 pages For ages 13 and up

"A rich, thoughtful anthology exploring centuries of Black poetry." —Kirkus Reviews (starred review)
"This deep and complex assemblage of Black poetry culminates in a joyful, painful, and emotionally rich experience." —Publishers Weekly (starred review)
"An eclectic mix of Black experiences fills this unmatched anthology that features both modern poets, such as Nikki Giovanni and Ibi Zoboi, and 'the brilliant Black poets who are now ancestors'... A fresh canon for poetry studies."—ALA Booklist (starred review)
"An excellent collection of poetry that is an insightful read on the Black experience"—School and Library Journal
Starring thirty-seven poets, with contributions from acclaimed authors, including Kwame Alexander, Ibi Zoboi, and Nikki Giovanni, this breathtaking Black YA poetry anthology edited by National Book Award finalist Amber McBride, Taylor Byas, and Erica Martin celebrates Black poetry, folklore, and culture.
Come, claim your wings.
Lift your life above the earth,
return to the land of your father’s birth.
What exactly is it to be Black in America?
Well, for some, it’s learning how to morph the hatred placed by others into love for oneself; for others, it’s unearthing the strength it takes to continue to hold one’s swagger when multitudinous factors work to make Black lives crumble. For some, it’s gathering around the kitchen table as Grandma tells the story of Anansi the spider, while for others it's grinning from ear to ear while eating auntie’s spectacular 7Up cake.
Black experiences and traditions are complex, striking, and vast—they stretch longer than the Nile and are four times as deep—and carry more than just unimaginable pain—there is also joy.
Featuring an all-star group of thirty-seven powerful poetic voices, including such luminaries as Kwame Alexander, James Baldwin, Ibi Zoboi, Audre Lorde, Nikki Giovanni, and Gwendolyn Brooks, this riveting anthology depicts the diversity of the Black experience by fostering a conversation about race, faith, heritage, and resilience between fresh poets and the literary ancestors that came before them.
Edited by Taylor Byas, Erica Martin, and Coretta Scott King New Talent Award winner Amber McBride, Poemhood will simultaneously highlight the duality and nuance at the crux of so many Black experiences with poetry being the psalm constantly playing.
BIO
<meta charset="utf-8">Amber McBride received her MFA in poetry from Emerson College in 2012. She also served as the media assistant at the Furious Flower Poetry Center. Her poetry has appeared in various literary magazines, including Ploughshares, Provincetown Arts, Willow Springs, the Cincinnati Review, the Rumpus. She has been nominated twice for Best on the Net awards. Her debut YA novel in verse, Me (Moth), was a finalist for the Morris Award and National Book Award in Children's Literature and won the John Steptoe&amp;#8211;Coretta Scott King Award. Her sophomore novel in verse, We Are All So Good at Smiling, received four starred reviews.
<meta charset="utf-8">
Erica Martin is a freelance editor and a poet. Her debut poetry collection, And We Rise, was an ABA Indies Introduce selection as well as an ABA Indie Next pick. She has been featured by Oprah Daily and enjoys making a difference in the world through political activism, reading, and writing. When she’s not reading and writing, you can find her editing, baking pies, or watching The Vampire Diaries for the millionth time.
<meta charset="utf-8">
Taylor Byas is a Black Chicago native currently living in Cincinnati, Ohio. She is the first-place winner of the 2020 Poetry Super Highway, the 2020 Frontier Poetry Award for New Poets, and the 2021 Adrienne Rich Award for Poetry. She is the author of the chapbooks Bloodwarm and Shutter and her debut full-length collection, I Done Clicked My Heels Three Times. She is also a coeditor of The Southern Poetry Anthology, Volume X: Alabama.
[H]  HarperCollins  /  January 30, 2024
<meta charset="utf-8">0.7" H x 8.2" L x 5.5" W (0.5 lbs) 160 pages
[P]  HarperCollins  /  January 28, 2025
 0.6" H x 8.0" L x 5.4" W (0.3 lbs) 160 pages
For ages 13 and up

Poemhood: Our Black Revival History, Folklore & the Black Experience: A Young Adult Poetry Anthology /// edited by Amber McBride, Erica Martin and Taylor Byas

The daughter of an affluent Black family pieces together the connection between a childhood tragedy and a beloved heirloom in this moving novel from the New York Times bestselling author of Black Cake, a Read with Jenna Book Club PickWhen ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well.The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby’s high profile romance falls apart without any explanation, that’s exactly what they get.So Ebby flees to France, only for her past to follow her there. And as she tries to process what’s happened, she begins to think about the other loss her family suffered on that day eighteen years ago—the stoneware jar that had been in their family for generations, brought North by an enslaved ancestor. But little does she know that the handcrafted piece of pottery held more than just her family’s history—it might also hold the key to unlocking her own future.In this sweeping, evocative novel, Charmaine Wilkerson brings to life a multi-generational epic that examines how the past informs our present. BIO Charmaine Wilkerson is the New York Times bestselling author of Black Cake, which was named a Read with Jenna Book Club Pick and adapted as a Hulu streaming series by Oprah Winfrey and Kapital Entertainment. She is an American writer who has lived in Jamaica and Italy. A graduate of Barnard College and Stanford University, she is a former journalist whose award-winning short fiction has appeared in various magazines and anthologies. REVIEWS “Engrossing . . . Wilkerson masterfully weaves these threads of love, loss and legacy through Old Mo’s journey as well as the ongoing mystery of Baz’s murder. The result is a thoroughly researched and beautifully imagined family saga, with a moving and hopeful ending.” -- The New York Times​“[A] moving sophomore novel . . . a multigenerational tale about a family haunted by tragedy.” -- The Washington Post“A remarkable exploration of family bonds, grief, heartbreak, friendship, and the deep scars of slavery and racism, Good Dirt seamlessly links the tragedies and resilience of our past in a way that is both brilliantly resonant and heartbreakingly beautiful. Wilkerson’s prose is succinct yet richly evocative, masterfully delving into the minds and motivations of her characters and delivering a narrative that lingers long after the final page . . . This novel solidifies Wilkerson’s place as one of the great multi-generational storytellers of our time.” -- Abi Daré, New York Times bestselling author of The Girl with the Louding Voice“Charmaine Wilkerson is a writer of extraordinary gifts. She can capture the arc of a family story like none other. In Good Dirt, she does it again. This kaleidoscopic novel of love, loss, and triumph will sit with you for a long time after you finish the last page.” -- Dolen Perkins-Valdez, bestselling author of Take My Hand“Good Dirt is a mystery that weaves together multigenerational strands of past and present trauma, from West Africa to Long Island, from the 1800s to the present. Written in glittering and discerning prose, poignant yet hopeful, Good Dirt is a masterful character study exploring the stories we inherit and how the past informs the present. I loved it.” -- Nikki May, author of Wahala and This Motherless Land [H] Ballantine Books / January 28, 2025 1.24" H x 9.4" L x 6.42" W (1.18 lbs) 368 pages

Good Dirt /// Charmaine Wilkerson /// new

A must-have addition to the shelf for any parent hoping to introduce more inclusive books into the home, with 100+ essential titles for early readers through high schoolBrimming with the history and culture of Black America, this one-of-a-kind resource is delivered in a package that all children find irresistible: stories. Education expert Amber O’Neal Johnston—who homeschools her four children—offers masterfully curated booklists, sorted by age, for diving into the fullness of the African American cultural experience.Soul School books are must-have mirrors for Black children and priceless windows for others, but first and foremost, they’re captivating stories. And while they’re sure to hold a special place in the hearts of Black families, they are unequivocally and without hesitation for all children.In addition to the booklists, Johnston artfully weaves together knowledge of the past and awareness of the present by examining cultural values, historical highlights, and the power of storytelling while teaching families what to look for and how to enjoy prose, verse, and illustrations that celebrate Black American culture. Soul School offers the best children’s, middle grade, and young adult books available today, each accompanied by discussion questions, activities, and related resource recommendations. Covering toddlers to teens and everyone in between, Soul School is an education for us all. BIO Amber O’Neal Johnston is a homeschooling mother of four who speaks and writes as Heritage Mom about including diverse voices in traditional curricula and infusing culture into the home environment. She is the author of A Place to Belong and a regular contributor to the Wild + Free homeschooling community. REVIEWS “As a writer who has for decades written to fill the holes in the literature of my childhood, I am so deeply grateful that Soul School is finally in the world. Here is the literary Bible for every parent, teacher, student, auntie—my list can go on and on—who wants a deeper understanding of why our books matter. Timely and timeless.” -- Jacqueline Woodson, MacArthur Fellow and National Book Award–winning author of Brown Girl Dreaming “Far-ranging and inclusive, Soul School is an invaluable contribution to a necessary, ongoing conversation about Black books, Black life, and the joy of reading.” -- Jabari Asim, author of Yonder “Soul School is a selection tool for educators working to curate illuminating fiction and informational texts from the genius of Black writers. Amber’s vetted book lists will impact learning and inspire students to pursue life in the spirit of joy.” -- Alice Faye Duncan, National Board Certified Teacher and author of Memphis, Martin, and the Mountaintop [P] Penguin Publishing Group / January 28, 2025 0.8" H x 7.9" L x 5.9" W (0.55 lbs) 304 pages

Soul School: Taking Kids On a Joy-Filled Journey Through the Heart of Black American Culture /// Amber O'Neal Johnston /// new

From award-winning YA author Leah Johnson comes her magical middle grade debut: a laugh-until-you-cry, cry-until-you-laugh story about an ordinary girl whose life is turned upside down by some extraordinary powers.Kirkus Best of 2023Chicago Public Library’s Best of the Best Books of 2023Named a Best Book of 2023 by School Library JournalShortlisted for the 2024 LGBTQ+ Middle Grade Lambda Literary Award The Bank Street Best Books of the Year List, 2024 (Star for Outstanding Merit) Selected for the ALA Booklist Rainbow List, 2024Ellie Engle doesn’t stand out. Not at home, where she’s alone with her pet fish since her dad moved away and her mom has to work around the clock . Not at the bakery, where she helps out old Mr. Walker on the weekends. And definitely not at school, where her best friend Abby—the coolest, boldest, most talented girl in the world—drags Ellie along on her never-ending quest to “make her mark.” To someone else, a life in the shadows might seem boring, or lonely. But not to Ellie. As long as she has Abby by her side and a comic book in her hand, she’s quite content.Too bad life didn’t bother checking in with Ellie. Because when a freak earthquake hits her small town, Ellie wakes up with fantastical powers that allow her to bring anything back to life with just her touch. And when a video of her using her powers suddenly goes viral, Ellie’s life goes somewhere she never imagined—or wanted: straight into the spotlight. Surviving middle school is hard enough. Surviving middle school when paparazzi are camped out on your front lawn and an international pop singer wants you to use your powers on live tv and you might be in love with your best friend but she doesn’t know it? Absolutely impossible. BIO Leah Johnson is an American writer. Her debut novel You Should See Me in a Crown received critical acclaim, including a Stonewall Book Award Honor. She is the author of Rise to the Sun and Ellie Engle Saves Herself!. REVIEWS *“Joyful and magical.” -- School Library Journal (starred review)*“A delightful, magical middle-grade debut . . . Excellently harnesses the anxiety that is prevalent throughout the junior-high years.” -- Booklist (starred review)*“A warmly rendered, lightly speculative love story about a girl learning to believe that she’s anything but ordinary.” -- Publishers Weekly (starred review)*“Johnson deftly explores identity and responsibility to ourselves and others in this joyful coming-of-age story. Marvelous.” -- Kirkus Reviews (starred review) [H] Disney Hyperion / May 02, 2023 1.1" H x 8.4" L x 5.8" W (0.85 lbs) 288 pages [P] Disney Hyperion / January 27, 2025 0.9" H x 7.8" L x 5.1" W (0.55 lbs) 288 pages For ages 8 to 12

Ellie Engle Saves Herself /// Leah Johnson

Edna Lewis—acclaimed author of the American classic, The Taste of Country Cooking—and Alabama-born chef Scott Peacock pool their unusual cooking talents to give us this unique cookbook filled with recipes and stories of two distinct styles of Southern cooking.Miss Lewis’s specialty is Virginia country cooking and Scott Peacock focuses on inventive and sensitive blending of new tastes with the Alabama foods he grew up on, liberally seasoned with Native American, Caribbean, and African influences. Together they have taken neglected traditional recipes unearthed in their years of research together on Southern food and worked out new versions that they have made their own.Together they share their secrets for such Southern basics as pan-fried chicken, creamy grits, and genuine Southern biscuits. Scott Peacock describes how Miss Lewis makes soup by coaxing the essence of flavor from vegetables, and he applies the same principle to his intensely flavored, scrumptious dish of Garlic Braised Shoulder Lamb Chops with Butter Beans and Tomatoes. You’ll find all these treasures and more before you even get to the superb cakes (potential “Cakewalk Winners” all), the hand-cranked ice creams, the flaky pies, and homey custards and puddings. Lewis and Peacock include twenty-two seasonal menus, from A Spring Country Breakfast for a Late Sunday Morning and A Summer Dinner of Big Flavors to An Alabama Thanksgiving and A Hearty Dinner for a Cold Winter Night, to show you how to mix and match dishes for a true Southern table.Interwoven throughout the book are warm memories of the people and the traditions that shaped these pure-tasting, genuinely American recipes. The result is a joyful coming together of two extraordinary cooks, sharing their gifts. And they invite you to join them. BIO Edna Lewis was born in 1916 in Freetown, Virginia, a farming community founded after the Civil War by freed slaves (among them her grandfather) and for many years lived and cooked in New York City. She was the recipient of numerous awards, including the inaugural James Beard Living Legend and Southern Foodways Alliance (SFA) Lifetime Achievement Awards, the Grande Dame des Dames d’Escoffier International, and the International Association of Culinary Professionals (IACP) Lifetime Achievement Award. Her books were inducted into the James Beard Foundation Cookbook Hall of Fame, and she was commemorated with a United States Postal Service postage stamp. Miss Lewis was the author of The Edna Lewis Cookbook, The Taste of Country Cooking, In Pursuit of Flavor, and, with Scott Peacock, The Gift of Southern Cooking. She died in February 2006. [H] Knopf Publishing Group / April 15, 2003 1.11" H x 9.5" L x 8.24" W (3.01 lbs) 352 pages

The Gift of Southern Cooking: Recipes and Revelations from Two Great American Cooks: A Cookbook /// Edna Lewis and Scott Peacock

At once cinematic yet intimate, Broughtupsy is an enthralling debut novel about a young Jamaican woman grappling with grief as she discovers her family, her home, is always just out of reachTold through an intimate and atmospheric first-person account, Broughtupsy is a queer diasporic chronicle of twenty-year-old Akúa’s return to her native Kingston, Jamaica, after living in the U.S. then Canada in the decade following her mother’s death.The reason for Akúa’s return is a woeful one: her younger brother Bryson has just passed from sickle cell anemia, the same sickness that took their mother. Unmoored and in mourning, Akúa returns to Kingston to hopefully reconnect with her estranged older sister Tamika, her last living sibling, and to bring her brother home. As the two sisters visit significant places from their childhood, Akúa is confronted with the difficult realities of being gay in a deeply religious family, of feeling separate from her home culture after years of living abroad, and of battling the grief of losing her mother then brother at pivotal moments in her young life. Along the way, she meets Jayda, a bashful queer woman who shows her a different side of Kingston and gives her a glimmer of hope of how to be at peace with her sister and herself.At its core, Broughtupsy asks us: what are we willing to do for family? What are we willing to do to savor the feeling of home? BIO Named a “Writer to Watch” by CBC Books and Shondaland, Christina Cooke is a fiction writer and essayist whose work has appeared in The Caribbean Writer, PRISM International, Prairie Schooner, Apogee, Electric Literature, Epiphany, Split Lip, Lambda Literary Review, and others. A MacDowell Fellow and Journey Prize winner, she holds a Master of Arts from the University of New Brunswick, a Master of Fine Arts from the Iowa Writers’ Workshop, and was named the inaugural Poets & Writers Fellow at Vermont Studio Center. Christina was born in Jamaica and is now a Canadian citizen who lives and writes in New York City. BROUGHTUPSY is her debut novel. REVIEWS Named a Most Anticipated Book by Elle, Goodreads, Write or Die, Electric Literature, Literary Hub, Lambda Literary Review, Bookshop, and LGBTQ Reads“Cooke’s vibrant debut novel is a queer coming-of-age story and a chronicle of diasporic rediscovery.” -- Hannah Giorgis, The Atlantic“[T]alent is very much in evidence in Broughtupsy, which unfolds with a casual intensity, a lifelike meandering narrative which captures the quality of the visit between the sisters, gradually building to its dramatic climax. The story weaves effortlessly between present and past, showing—often at a single glance—historic events and their effect in the present. It’s a dizzying, compelling effect, and one which Cooke achieves with a deceptive ease . . . Broughtupsy is a powerful account of an attempt to find a place, both in the physical world, and deep within the self.” —Robert Wiersema, The Toronto Star“The idea of ‘going home’ is, for many members of the LGBTQ+ community, a complicated one. Take, for example, Akúa, the protagonist of Christina Cooke’s debut novel, Broughtupsy, who returns to Jamaica from Canada to connect with her sister after the loss of their younger brother. Akúa is soon forced to question what it means to belong as a young, queer, grief-stricken woman doing her best to heal. Cooke’s narration, at once poetic and conversational, lends Akúa’s story a sense of urgency and resonance.” -- Emma Specter, Vogue“This is a deft debut overflowing with emotion.” -- Lauren Puckett-Pope, Elle“A dazzling symphony of what it means to love, to grieve, and to belong.” -- Sarah Neilson, Shondaland [H] Catapult / January 23, 2024 0.9" H x 8.4" L x 5.7" W (0.88 lbs) 240 pages [P] Catapult / January 27, 2025 0.6" H x 8.4" L x 5.4" W (0.55 lbs) 240 pages

Broughtupsy /// Christina Cooke

For fans of Cheryl Strayed’s Wild and Jesmyn Ward’s Men We Reaped, this searing memoir by a National Geographic explorer recounts one woman’s epic journey to trace the global slave trade across the Atlantic Ocean—and find her place in the world.“Tara Roberts is a pioneer and an inspiration. Her work does not so much ‘unearth’ the past as pull it respectfully out of the depths of the sea. I am deeply moved by this book, and by her journey.”—Elizabeth Gilbert, New York Times bestselling author of Eat, Pray, LoveWhen Tara Roberts first caught sight of a photograph at the Smithsonian’s National Museum of African American History depicting the scuba and underwater archaeology group Diving With a Purpose, it called out to her. Here were Black women and men strapping on masks, fins, and tanks to explore Atlantic Ocean waters along the coastlines of Africa, North America, and Central America, seeking the wrecks of slave ships long lost in time. Inspired, Roberts joined them—and started on a path of discovery more challenging and personal than she could ever have imagined.In this lush and lyrical memoir, she tells a story of exploration and reckoning that takes her from her home in Washington, D.C., to an exotic array of locales: Thailand and Sri Lanka, Mozambique, South Africa, Senegal, Benin, Costa Rica, and St. Croix. The journey connects her with other divers, scholars, and archaeologists, offering a unique way of understanding the 12.5 million souls carried away from their African homeland to enslavement on other continents. But for Roberts, the journey is also intensely personal. Inspired by the descendants of those who lost their lives during the Middle Passage, she decides to plumb her own family history and life as a Black woman to help make sense of her own identity.Complex and unflinchingly authentic, this deeply moving narrative heralds an important new voice in literature that will open minds and hearts everywhere. BIO Tara Roberts is a storyteller, adventurer, and traveler. Tara spent the last six years following, diving with, and telling stories about Black scuba divers as they searched for and helped document slave shipwrecks around the world. Her journey was turned into an award-winning National Geographic-produced podcast called “Into the Depths” and featured in the March issue of National Geographic magazine. Tara became the first Black female explorer ever to be featured on the cover of Nat Geo. In 2022, Tara was named the Rolex National Geographic Explorer of the Year. Currently, she is an Explorer-in-Residence at the National Geographic Society. And her book Written in the Waters: A Memoir of History, Home and Belonging hits stands in January 2025. Tara also worked as an editor for magazines like CosmoGirl, Essence, EBONY and Heart & Soul and edited several books for girls. She was a Fellow at the MIT Open Documentary Lab. REVIEWS “Roberts matches a reporter’s meticulousness with a memoirist’s emotional attunement, delivering a sweeping survey of slavery’s repercussions. It’s a must-read.” -- Publisher’s Weekly starred review“Tara Roberts is a pioneer and an inspiration. Her work does not so much ‘unearth’ the past as pull it respectfully out of the depths of the sea and the shadows of history. I am deeply moved by this book, and by her journey.” -- Elizabeth Gilbert, New York Times bestselling author of Eat, Pray, Love“Written in the Waters will be forever written on my soul. Tara Roberts is fearless yet vulnerable; adventurous yet grounded. This memoir does the hard, necessary work of generational healing. With her words, she charts a path to spiritual renewal.” -- Tayari Jones, New York Times best-selling author of An American Marriage [H] National Geographic Society / January 28, 2025 1.4" H x 9.3" L x 6.3" W (1.25 lbs) 400 pages

Written in the Waters: A Memoir of History, Home, and Belonging /// Tara Roberts /// new

-- This title will ship on or after February 11, 2025 -- A powerful and heartfelt memoir of perseverance and triumph over tragedy from Tamika D. Mallory, trailblazing social justice leader and cofounder of the Women’s March.In this candid and defiant memoir, a follow-up to her “masterful” (Marc Lamont Hill, New York Times bestselling author) response to the murders of Breonna Taylor and George Floyd, State of Emergency, Tamika D. Mallory holds nothing back as she shares hers, the activist’s life.From early days as daughter to Black civil rights activists in Harlem, New York, to a young Black woman’s first battles against the physical and political violence she’d fight all her life, to the never-before-shared personal and professional crises launched by those forces intent on keeping her silent, this is a work of activism in motion and an unflinching story of America at the turn of the 21st century.Ultimately, I Lived to Tell the Story is a celebration of the profound truth that our hearts grow closest when we discover that the values we share are grounded in personal truths as well as high-minded aspiration. BIO Tamika D. Mallory is a trailblazing social justice leader, movement strategist, globally recognized civil rights activist, cofounder of Until Freedom and the historic Women’s March, and author of I Lived to Tell the Story and State of Emergency. She served as the youngest ever executive director of the National Action Network. Her speech in the wake of the murder of George Floyd in Minneapolis, Minnesota—entitled “State of Emergency”—was dubbed “the speech of a generation” by ABC News. Mallory is an expert in the areas of gun violence prevention, criminal justice reform, and grassroots organizing. REVIEWS “An urgent call for racial justice that demands attention, discussion, and action.” -- Kirkus Reviews (starred review)“Shifting between outrage, hope, and resolute determination, this call to action will resonate with readers already fighting for racial justice, as well as those looking to join the movement.” -- Publishers Weekly“Mallory gives readers the tools they need to fight injustice and find a pathway towards true freedom." -- Marie Claire“Mallory provides a history of racism in the U.S. as well as equity-centered pathways forward.” -- Ms. Magazine“A masterful book…reaffirms the urgency of the current state of Black people in America and the power we all have to win transformative change.” -- Marc Lamont Hill, New York Times bestselling author [H] Atria/Black Privilege Publishing / February 11, 2025

-- This title will ship on or after February 11, 2025 --
<meta charset="utf-8">A powerful and heartfelt memoir of perseverance and triumph over tragedy from Tamika D. Mallory, trailblazing social justice leader and cofounder of the Women’s March. In this candid and defiant memoir, a follow-up to her “masterful” (Marc Lamont Hill, New York Times bestselling author) response to the murders of Breonna Taylor and George Floyd, State of Emergency, Tamika D. Mallory holds nothing back as she shares hers, the activist’s life. From early days as daughter to Black civil rights activists in Harlem, New York, to a young Black woman’s first battles against the physical and political violence she’d fight all her life, to the never-before-shared personal and professional crises launched by those forces intent on keeping her silent, this is a work of activism in motion and an unflinching story of America at the turn of the 21st century. Ultimately, I Lived to Tell the Story is a celebration of the profound truth that our hearts grow closest when we discover that the values we share are grounded in personal truths as well as high-minded aspiration.
BIO
<meta charset="utf-8">Tamika D. Mallory is a trailblazing social justice leader, movement strategist, globally recognized civil rights activist, cofounder of Until Freedom and the historic Women’s March, and author of I Lived to Tell the Story and State of Emergency. She served as the youngest ever executive director of the National Action Network. Her speech in the wake of the murder of George Floyd in Minneapolis, Minnesota—entitled “State of Emergency”—was dubbed “the speech of a generation” by ABC News. Mallory is an expert in the areas of gun violence prevention, criminal justice reform, and grassroots organizing.
REVIEWS
<meta charset="utf-8">“An urgent call for racial justice that demands attention, discussion, and action.” -- Kirkus Reviews (starred review) “Shifting between outrage, hope, and resolute determination, this call to action will resonate with readers already fighting for racial justice, as well as those looking to join the movement.” -- Publishers Weekly “Mallory gives readers the tools they need to fight injustice and find a pathway towards true freedom." -- Marie Claire “Mallory provides a history of racism in the U.S. as well as equity-centered pathways forward.” -- Ms. Magazine “A masterful book…reaffirms the urgency of the current state of Black people in America and the power we all have to win transformative change.” -- Marc Lamont Hill, New York Times bestselling author
[H]  Atria/Black Privilege Publishing  /  February 11, 2025

I Lived to Tell the Story: A Memoir of Love, Legacy, and Resilience /// Tamika D. Mallory /// pre

-- This title will ship on or after June 24, 2025 -- The riveting story of the McKissack family—the founders of the leading Black design and construction firm in the United States, from its beginnings in the mid-1800s to its thriving status today—in a moving celebration of resilience and innovation.Captured in his native West Africa and enslaved on American shores by a North Carolina plantation owner, Moses McKissack I began to build his way to emancipation right from the start. Becoming an enslaved craftsman, he picked up the trade his family would become famous for in the earliest years of the 19th century, passing his learnings down to his children and seeing them off to freedom after the Civil War.The family would settle in Tennessee, getting its bearings in the building trades despite rampant discrimination, establishing a foothold that now sees its latest generations working at the absolute peak of its industry.The family’s fingerprints have been left all across the United States, spanning from Reconstruction to contemporary times, through projects like the Morris Memorial Building, Capers C.M.E. Church, John F. Kennedy International Airport, and Philadelphia’s Lincoln Financial Field.Here, Cheryl McKissack Daniel, CEO and president of McKissack & McKissack, reveals the full fascinating story of her family. So much more than an exploration of architectural achievements, The Black Family Who Built America is also a compelling illustration of how history rhymes and reverberates, and a celebration of the human spirit’s ability to overcome adversity and drive change. From Moses’s humble beginnings to Cheryl’s current role as a trailblazer and champion of diversity, the family’s journey underscores the importance of perseverance, innovation, and strategic vision in shaping a legacy that continues to inspire and impact the construction industry. BIO Cheryl McKissack Daniel is the award-winning president and CEO of McKissack & McKissack. She serves as principal-in-charge and project executive on numerous high-profile projects, including major work in the commercial, healthcare, education, and transportation sectors. She serves on numerous, corporate, charitable, and community boards, and has been honored as a “Hero of Liberty” for her support of humanitarian initiatives and for promoting the responsibilities of a free and diverse America. Born in Nashville to architect William DeBerry and teacher, Leatrice Buchanan McKissack, Cheryl represents the fifth generation of the McKissack family’s century-old business, the oldest minority and woman-owned professional design and construction firm in the nation. [H] Atria/ Black Privilege Publishing / June 24, 2025

-- This title will ship on or after June 24, 2025 --
<meta charset="utf-8">The riveting story of the McKissack family—the founders of the leading Black design and construction firm in the United States, from its beginnings in the mid-1800s to its thriving status today—in a moving celebration of resilience and innovation. Captured in his native West Africa and enslaved on American shores by a North Carolina plantation owner, Moses McKissack I began to build his way to emancipation right from the start. Becoming an enslaved craftsman, he picked up the trade his family would become famous for in the earliest years of the 19th century, passing his learnings down to his children and seeing them off to freedom after the Civil War. The family would settle in Tennessee, getting its bearings in the building trades despite rampant discrimination, establishing a foothold that now sees its latest generations working at the absolute peak of its industry. The family’s fingerprints have been left all across the United States, spanning from Reconstruction to contemporary times, through projects like the Morris Memorial Building, Capers C.M.E. Church, John F. Kennedy International Airport, and Philadelphia’s Lincoln Financial Field. Here, Cheryl McKissack Daniel, CEO and president of McKissack &amp; McKissack, reveals the full fascinating story of her family. So much more than an exploration of architectural achievements, The Black Family Who Built America is also a compelling illustration of how history rhymes and reverberates, and a celebration of the human spirit’s ability to overcome adversity and drive change. From Moses’s humble beginnings to Cheryl’s current role as a trailblazer and champion of diversity, the family’s journey underscores the importance of perseverance, innovation, and strategic vision in shaping a legacy that continues to inspire and impact the construction industry.
BIO
<meta charset="utf-8">Cheryl McKissack Daniel is the award-winning president and CEO of McKissack &amp; McKissack. She serves as principal-in-charge and project executive on numerous high-profile projects, including major work in the commercial, healthcare, education, and transportation sectors. She serves on numerous, corporate, charitable, and community boards, and has been honored as a “Hero of Liberty” for her support of humanitarian initiatives and for promoting the responsibilities of a free and diverse America. Born in Nashville to architect William DeBerry and teacher, Leatrice Buchanan McKissack, Cheryl represents the fifth generation of the McKissack family’s century-old business, the oldest minority and woman-owned professional design and construction firm in the nation.
[H]  Atria/ Black Privilege Publishing  /  June 24, 2025

The Black Family Who Built America: The McKissacks, Two Centuries of Daring Pioneers /// Cheryl McKissack Daniel, with Nick Chiles /// pre

-- This title will ship on or after February 11, 2025 – If Junot Diaz’s critically acclaimed collection Drown and Janet Mock’s Emmy-winning series Pose produced offspring, Alejandro Heredia’s Loca would be their firstborn.It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country. When Sal finds love at a gay club one night, both his and Charo’s worlds unexpectedly open up to a vibrant social circle that pushes them to reckon with what they owe to their own selves, pasts, futures, and, always, each other.Loca follows one daring year in the lives of young people living at the edge of their own patience and desires. With expansive grace, it reveals both the grueling conditions that force people to migrate and the possibility of friendship as home when family, nations, and identity groups fall short. BIO Alejandro Heredia is a writer from the Bronx. He has received fellowships from LAMBDA Literary, Dominican Studies Institute, UNLV’s Black Mountain Institute, and elsewhere. He received an MFA in fiction from Hunter College. Loca is his debut novel. REVIEWS “In this remarkable debut, Alejandro Heredia traces young lives from the streets of Santo Domingo to the streets of the Bronx, capturing the heartbreak of queer youth, a woman’s rebellion against the confines of motherhood, and, above all, the pain and power of friendship that extends across seas, and borders, and the struggle of working people to survive in America. It is the most generously written novel I have read in a very long time, and that generosity is a beautiful thing.” -- Adam Haslett, Pulitzer Prize and National Award Book Award finalist for Imagine Me Gone and You Are Not A Stranger Here“Heredia writes to all the locas who, torn between depression and desire, dare to keep moving, chase dreams, and face their failures nonetheless.” --Xochitl Gonzalez, New York Times bestselling author of Olga Dies Dreaming and Anita de Monte Laughs Last"In a novel that is as tender as it is brilliant, Heredia writes with ferocity and warmth." -- Elizabeth Acevedo, author of Family Lore “A queer book, yes, a Dominican book, too, a Spanglish book, sure, and as such a quintessentially American novel, a beautiful one.” -- Rumaan Alam, New York Times bestselling author of Leave the World Behind and Entitlement [H] Simon & Schuster / February 11, 2025 0.67" H x 8.38" L x 5.5" W (0.83 lbs) 352 pages

-- This title will ship on or after February 11, 2025 –
<meta charset="utf-8">If Junot Diaz’s critically acclaimed collection Drown and Janet Mock’s Emmy-winning series Pose produced offspring, Alejandro Heredia’s Loca would be their firstborn. It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country. When Sal finds love at a gay club one night, both his and Charo’s worlds unexpectedly open up to a vibrant social circle that pushes them to reckon with what they owe to their own selves, pasts, futures, and, always, each other. Loca follows one daring year in the lives of young people living at the edge of their own patience and desires. With expansive grace, it reveals both the grueling conditions that force people to migrate and the possibility of friendship as home when family, nations, and identity groups fall short.
BIO
<meta charset="utf-8">Alejandro Heredia is a writer from the Bronx. He has received fellowships from LAMBDA Literary, Dominican Studies Institute, UNLV’s Black Mountain Institute, and elsewhere. He received an MFA in fiction from Hunter College. Loca is his debut novel.
REVIEWS
<meta charset="utf-8">“In this remarkable debut, Alejandro Heredia traces young lives from the streets of Santo Domingo to the streets of the Bronx, capturing the heartbreak of queer youth, a woman’s rebellion against the confines of motherhood, and, above all, the pain and power of friendship that extends across seas, and borders, and the struggle of working people to survive in America. It is the most generously written novel I have read in a very long time, and that generosity is a beautiful thing.” -- Adam Haslett, Pulitzer Prize and National Award Book Award finalist for Imagine Me Gone and You Are Not A Stranger Here “Heredia writes to all the locas who, torn between depression and desire, dare to keep moving, chase dreams, and face their failures nonetheless.” --Xochitl Gonzalez, New York Times bestselling author of Olga Dies Dreaming and Anita de Monte Laughs Last "In a novel that is as tender as it is brilliant, Heredia writes with ferocity and warmth." -- Elizabeth Acevedo, author of Family Lore 
“A queer book, yes, a Dominican book, too, a Spanglish book, sure, and as such a quintessentially American novel, a beautiful one.” -- Rumaan Alam, New York Times bestselling author of Leave the World Behind and Entitlement
[H]  Simon &amp; Schuster  /  February 11, 2025
0.67" H x 8.38" L x 5.5" W (0.83 lbs) 352 pages

Loca: A Novel /// Alejandro Heredia /// pre

From the acclaimed author of Sincerely Sicily, Tamika Burgess, comes a timely coming-of-age story about a young boy’s fight to save his family and his dreams in the aftermath of the US military invasion of Panamá. Perfect for fans of Janae Marks, Adrianna Cuevas, and Chrystal D. Giles! Danilo Osorio Jr.’s baseball skills were once the pride of his father and entire hometown of El Chorrillo, Panamá. But that was then, and this is now… Following 1989's Operation Just Cause, a US military invasion that left his neighborhood decimated, Danilo couldn’t care less about baseball or the father who abandoned him for opportunities in the States. Now Danilo’s focus is taking care of his mamá and sister and trying to save them all from needing to relocate to a refugee camp. When Danilo unintentionally catches the eye of a baseball recruiter and is offered the opportunity to visit and train in California—the same place as his father’s last known address—he is tasked with deciding to go or stay. But if playing baseball could help him find his father and secure the extra funds his family needs, Danilo is willing to travel anywhere, even to the very country responsible for destroying his home. Between his tough-as-nails baseball coach, ultracompetitive teammates, and overly enthusiastic host family, Danilo’s plans encounter some curveballs. And when his turn to bat finally comes, he’ll have to decide what and who he’s actually fighting for. BIO Tamika Burgess is a storyteller with over a decade of novel, TV/film, and personal essay writing experience.Born to parents who migrated from Panamá, Tamika has always taken a particular interest in writing themes that explore her Black Latina identity. Because of her passion for spreading the knowledge of Black Panamanian culture, Tamika has been featured on various websites, podcasts, and panels. When she is not writing, Tamika is somewhere cozy online shopping and listening to a podcast. Tamika resides in sunny Southern California. REVIEWS “Will have all readers turning pages.” -- Varsha Bajaj, New York Times bestselling author of Thirst "Heartfelt and beautifully told. Burgess explores a tragic moment in Panamanian history with compassion, authenticity, and hope. Readers will root for Danilo during his losses and celebrate with him during his victories." -- Chrystal D. Giles, author of Not an Easy Win “Burgess knocks it out of the park with this story of a boy searching for family and home. A home run tale of resilience.” -- Adrianna Cuevas, Pura Belpre Honor-wining and the Edgar Award-winning author “Sincere and immersive, it asks us to question our dreams and figure out what it is we truly want. I will be thinking about Danilo’s story for a long, long time.” -- Andrea Beatriz Arango, Newberry Honor award winning author of Iveliz Explains It All [H] HarperCollins / January 21, 2025 1.02" H x 8.46" L x 5.83" W (0.8 lbs) 304 pages For ages 8 to 12

From the acclaimed author of Sincerely Sicily, Tamika Burgess, comes a timely coming-of-age story about a young boy’s fight to save his family and his dreams in the aftermath of the US military invasion of Panamá. Perfect for fans of Janae Marks, Adrianna Cuevas, and Chrystal D. Giles!
Danilo Osorio Jr.’s baseball skills were once the pride of his father and entire hometown of El Chorrillo, Panamá. But that was then, and this is now…
Following 1989's Operation Just Cause, a US military invasion that left his neighborhood decimated, Danilo couldn’t care less about baseball or the father who abandoned him for opportunities in the States. Now Danilo’s focus is taking care of his mamá and sister and trying to save them all from needing to relocate to a refugee camp.
When Danilo unintentionally catches the eye of a baseball recruiter and is offered the opportunity to visit and train in California—the same place as his father’s last known address—he is tasked with deciding to go or stay. But if playing baseball could help him find his father and secure the extra funds his family needs, Danilo is willing to travel anywhere, even to the very country responsible for destroying his home.
Between his tough-as-nails baseball coach, ultracompetitive teammates, and overly enthusiastic host family, Danilo’s plans encounter some curveballs. And when his turn to bat finally comes, he’ll have to decide what and who he’s actually fighting for.
BIO
<meta charset="utf-8">Tamika Burgess is a storyteller with over a decade of novel, TV/film, and personal essay writing experience. Born to parents who migrated from Panam&amp;#225;, Tamika has always taken a particular interest in writing themes that explore her Black Latina identity. Because of her passion for spreading the knowledge of Black Panamanian culture, Tamika has been featured on various websites, podcasts, and panels. When she is not writing, Tamika is somewhere cozy online shopping and listening to a podcast. Tamika resides in sunny Southern California.
REVIEWS
“Will have all readers turning pages.” -- Varsha Bajaj, New York Times bestselling author of Thirst
"Heartfelt and beautifully told. Burgess explores a tragic moment in Panamanian history with compassion, authenticity, and hope. Readers will root for Danilo during his losses and celebrate with him during his victories." -- Chrystal D. Giles, author of Not an Easy Win
“Burgess knocks it out of the park with this story of a boy searching for family and home. A home run tale of resilience.” -- Adrianna Cuevas, Pura Belpre Honor-wining and the Edgar Award-winning author
“Sincere and immersive, it asks us to question our dreams and figure out what it is we truly want. I will be thinking about Danilo’s story for a long, long time.” -- Andrea Beatriz Arango, Newberry Honor award winning author of Iveliz Explains It All
[H]  HarperCollins  /  January 21, 2025
<meta charset="utf-8">1.02" H x 8.46" L x 5.83" W (0.8 lbs) 304 pages
For ages 8 to 12

Danilo Was Here /// Tamika Burgess /// new

-- This title will ship on or after February 04, 2025 – From celebrated scholar Dr. Yolanda Pierce comes this indelible meditation on Black faith, suffering, hope, and the healing possibilities of justice, written in the venerable tradition of James Cone and Kelly Brown Douglas. What do we do with wounds--our own, others', and a nation's? We can turn away, avert our gaze. We can make a spectacle of suffering. Or like the doubting disciple who longed to touch Jesus's side, we can acquaint ourselves with the wounds: both the story they tell and the healing they prefigure. In The Wounds Are the Witness, Yolanda Pierce, dean of Vanderbilt University Divinity School and author of In My Grandmother's House, weaves together her own memories, vignettes from Black life, and scenes from scripture, especially the passion of Christ. To work for liberation in a broken world, we cannot look away from crucified flesh. Bones from the Middle Passage, GI Bill benefits denied to Black veterans, women inmates shackled while giving birth: we must take all such wounds seriously. They testify to both the pain and the faith of a people. With the lyrical eye of a poet and the moral precision of a preacher, Pierce casts readers into the astounding story of God's healing. From the curative powers of a spiderweb to the work of justice in history, politics, medicine, higher education, and the Black church, Pierce asks: Where are the remedies for the battered and broken? What does accountability look like? Is there any cure? Healing takes time, Pierce writes, and even the wounds of the risen Christ do not immediately close. When the wounds become the witness, we find a faith reimagined and a hope transfigured. They tell the truth: about the extent of the injury and the extraordinary work of healing. BIO Yolanda Pierce is professor and dean of Howard University School of Divinity. She is a scholar of African American religious history, womanist theology, race, and religion, as well as a public theologian, activist, and commentator. An alumna of Princeton University and Cornell University, Pierce served as the founding director of the Center for the Study of African American Religious Life at the National Museum of African American History & Culture. Pierce's writing has appeared in Time, Sojourners, and The Christian Century, and she is the author of the book Hell Without Fires. Pierce lives in Washington, DC. REVIEWS "A resonant, richly detailed study of the complex relationship between race and faith in America." -- Publishers Weekly "With the precision of a pathologist, Yolanda Pierce poignantly parses the painful progression of racial harm. With the profundity of the prophets, she heralds the hope of healing for our weary and wounded souls. A must-read." -- Michael W. Waters, pastor, professor, and award-winning author of Stakes Is High: Race, Faith, and Hope for America "With the power of a Sunday sermon and the insight of a thought-provoking lecture, Dr. Yolanda Pierce's The Wounds Are the Witness calls readers to attend to the scars and faithfulness that have shaped the Black experience. Pierce gestures us toward honoring the sacredness in our collective journey toward wholeness. This profound and accessible book is a must-read for anyone looking to heal from pain and keep the faith!" -- Drew G. I. Hart, associate professor of theology at Messiah University and author of Who Will Be a Witness? and Trouble I've Seen [H] Broadleaf Books / February 04, 2025 0.7" H x 8.24" L x 5.6" W (0.77 lbs) 196 pages

-- This title will ship on or after February 04, 2025 –
From celebrated scholar Dr. Yolanda Pierce comes this indelible meditation on Black faith, suffering, hope, and the healing possibilities of justice, written in the venerable tradition of James Cone and Kelly Brown Douglas.
What do we do with wounds--our own, others', and a nation's? We can turn away, avert our gaze. We can make a spectacle of suffering. Or like the doubting disciple who longed to touch Jesus's side, we can acquaint ourselves with the wounds: both the story they tell and the healing they prefigure.
In The Wounds Are the Witness, Yolanda Pierce, dean of Vanderbilt University Divinity School and author of In My Grandmother's House, weaves together her own memories, vignettes from Black life, and scenes from scripture, especially the passion of Christ. To work for liberation in a broken world, we cannot look away from crucified flesh. Bones from the Middle Passage, GI Bill benefits denied to Black veterans, women inmates shackled while giving birth: we must take all such wounds seriously. They testify to both the pain and the faith of a people.
With the lyrical eye of a poet and the moral precision of a preacher, Pierce casts readers into the astounding story of God's healing. From the curative powers of a spiderweb to the work of justice in history, politics, medicine, higher education, and the Black church, Pierce asks: Where are the remedies for the battered and broken? What does accountability look like? Is there any cure?
Healing takes time, Pierce writes, and even the wounds of the risen Christ do not immediately close. When the wounds become the witness, we find a faith reimagined and a hope transfigured. They tell the truth: about the extent of the injury and the extraordinary work of healing.
BIO
<meta charset="utf-8">Yolanda Pierce is professor and dean of Howard University School of Divinity. She is a scholar of African American religious history, womanist theology, race, and religion, as well as a public theologian, activist, and commentator. An alumna of Princeton University and Cornell University, Pierce served as the founding director of the Center for the Study of African American Religious Life at the National Museum of African American History &amp; Culture. Pierce's writing has appeared in Time, Sojourners, and The Christian Century, and she is the author of the book Hell Without Fires. Pierce lives in Washington, DC.
REVIEWS
<meta charset="utf-8">"A resonant, richly detailed study of the complex relationship between race and faith in America." -- Publishers Weekly
"With the precision of a pathologist, Yolanda Pierce poignantly parses the painful progression of racial harm. With the profundity of the prophets, she heralds the hope of healing for our weary and wounded souls. A must-read." -- Michael W. Waters, pastor, professor, and award-winning author of Stakes Is High: Race, Faith, and Hope for America
"With the power of a Sunday sermon and the insight of a thought-provoking lecture, Dr. Yolanda Pierce's The Wounds Are the Witness calls readers to attend to the scars and faithfulness that have shaped the Black experience. Pierce gestures us toward honoring the sacredness in our collective journey toward wholeness. This profound and accessible book is a must-read for anyone looking to heal from pain and keep the faith!" -- Drew G. I. Hart, associate professor of theology at Messiah University and author of Who Will Be a Witness? and Trouble I've Seen
[H]  Broadleaf Books  /  February 04, 2025
<meta charset="utf-8">0.7" H x 8.24" L x 5.6" W (0.77 lbs) 196 pages

The Wounds Are the Witness: Black Faith Weaving Memory into Justice and Healing /// Yolanda Pierce /// pre

A tragedy is unfolding all around us and is receiving well overdue attention. Black women are three times more likely to die from pregnancy than their white peers. But Dr. Monique Rainford is working to better understand these disparities and do something about them. Pregnant While Black is a hopeful exploration of the issues pregnant Black women face in America. Within these pages, Dr. Rainford draws on over twenty years of experience working in obstetrics and gynecology to offer a primer on Black pregnancies and how to better care for them. She shares the successes and testimonies of Black women who have struggled during pregnancy and childbirth, anchoring the stories of these women with carefully researched facts. Despite medical advances over the last twenty years, for Black women, the overwhelming dangers of carrying and delivering children remain and it only seems to be getting worse. In Pregnant While Black, Rainford begins the work of "repairing the damage of the past" with an examination of the conditions that plague Black pregnancies. This important book carries the hopes and dreams of a generation looking to effect change, here and now. BIO Monique Rainford, MD, is a board-certified obstetrician and gynecologist with over twenty years' experience. An award-winning graduate of the University of Pennsylvania and Harvard Medical School, she is currently an assistant professor at Yale Medicine. Her writing about maternal and other health disparities experienced by Black women has been featured in multiple publications, including Afro, Elephant Journal, and the Hartford Courant, and her broader work related to women's health and wellness has been featured in the South Florida Times, the Baltimore Sun, Thought Catalog, and the Journal of Reproductive Medicine. She lives in Connecticut with her husband and two children. REVIEWS "The notorious perils for men in America of 'driving while Black' are well known; the parallel dangers to women in America of driving through a successful pregnancy while Black are far less so. With passion, compassion, and expertise, Monique Rainford exposes and explains this critical disparity, while offering the crucial guidance required to overcome it." -- David L. Katz, MD, MPH, past president of the American College of Lifestyle Medicine, and founder and former director of Yale University's Yale-Griffin Prevention Research Center "Infused with thought-provoking narratives of real maternal-health experiences, this brilliant piece delves into the gut-wrenching facts that contribute to the Black maternal-health crisis across the nation. The strategies and solutions outlined in the text provide one with the insight needed to dismantle maternal-health disparities and inequities." -- Wanda Irving, cofounder and chair of the board, Dr. Shalon's Maternal Action Project "Pregnant While Black is the beautiful and profound expansive work on Black maternal health that we've all been waiting for. The book guides us through heartbreaking personal stories using data and evidence to help readers understand the full devastating impact of this very American crisis. Dr. Rainford invites us in to work toward a more equitable and just future for Black pregnant people." -- Dr. Uché Blackstock, physician, thought leader on bias and racism in health care, and founder of Advancing Health Equity [H] Broadleaf Books / April 11, 2023 0.89" H x 9.18" L x 6.36" W (1.16 lbs) 245 pages

A tragedy is unfolding all around us and is receiving well overdue attention. Black women are three times more likely to die from pregnancy than their white peers. But Dr. Monique Rainford is working to better understand these disparities and do something about them.
Pregnant While Black is a hopeful exploration of the issues pregnant Black women face in America. Within these pages, Dr. Rainford draws on over twenty years of experience working in obstetrics and gynecology to offer a primer on Black pregnancies and how to better care for them. She shares the successes and testimonies of Black women who have struggled during pregnancy and childbirth, anchoring the stories of these women with carefully researched facts. Despite medical advances over the last twenty years, for Black women, the overwhelming dangers of carrying and delivering children remain and it only seems to be getting worse.
In Pregnant While Black, Rainford begins the work of "repairing the damage of the past" with an examination of the conditions that plague Black pregnancies. This important book carries the hopes and dreams of a generation looking to effect change, here and now.
BIO
<meta charset="utf-8">Monique Rainford, MD, is a board-certified obstetrician and gynecologist with over twenty years' experience. An award-winning graduate of the University of Pennsylvania and Harvard Medical School, she is currently an assistant professor at Yale Medicine. Her writing about maternal and other health disparities experienced by Black women has been featured in multiple publications, including Afro, Elephant Journal, and the Hartford Courant, and her broader work related to women's health and wellness has been featured in the South Florida Times, the Baltimore Sun, Thought Catalog, and the Journal of Reproductive Medicine. She lives in Connecticut with her husband and two children.
REVIEWS
"The notorious perils for men in America of 'driving while Black' are well known; the parallel dangers to women in America of driving through a successful pregnancy while Black are far less so. With passion, compassion, and expertise, Monique Rainford exposes and explains this critical disparity, while offering the crucial guidance required to overcome it." -- David L. Katz, MD, MPH, past president of the American College of Lifestyle Medicine, and founder and former director of Yale University's Yale-Griffin Prevention Research Center
"Infused with thought-provoking narratives of real maternal-health experiences, this brilliant piece delves into the gut-wrenching facts that contribute to the Black maternal-health crisis across the nation. The strategies and solutions outlined in the text provide one with the insight needed to dismantle maternal-health disparities and inequities." -- Wanda Irving, cofounder and chair of the board, Dr. Shalon's Maternal Action Project
"Pregnant While Black is the beautiful and profound expansive work on Black maternal health that we've all been waiting for. The book guides us through heartbreaking personal stories using data and evidence to help readers understand the full devastating impact of this very American crisis. Dr. Rainford invites us in to work toward a more equitable and just future for Black pregnant people." -- Dr. Uché Blackstock, physician, thought leader on bias and racism in health care, and founder of Advancing Health Equity
[H]  Broadleaf Books  /  April 11, 2023<meta charset="utf-8">
<meta charset="utf-8">0.89" H x 9.18" L x 6.36" W (1.16 lbs) 245 pages

Pregnant While Black: Advancing Justice for Maternal Health in America /// Monique Rainford

"In a world eager to promote the newest wunderkind, grandmother theology carries us two or more generations back: to the kitchens, hair salons, gardens, and church basements of older Black women who are often invisible in theological discourse but without whom the American Christian church would cease to exist." The church mothers who raised Yolanda Pierce, dean of Howard University School of Divinity, were busily focused on her survival. In a world hostile to Black women's bodies and spirits, they had to be. Born on a former cotton plantation and having fled the terrors of the South, Pierce's grandmother raised her in the faith inherited from those who were enslaved. Now in paperback, In My Grandmother's House follows Pierce as she reckons with that tradition, building an everyday womanist theology rooted in liberating scriptures, experiences in the Black church, and truths from Black women's lives. Pierce tells stories that center the experiences of those living on the underside of history, teasing out the tensions of race, spirituality, trauma, freedom, resistance, and memory. The paperback features a new readers' guide, written by the author, that is useful for individual reflection and group discussion. A grandmother's theology carries wisdom strong enough for future generations. The Divine has been showing up at the kitchen tables of Black women for a long time. It's time to get to know that God BIO Yolanda Pierce is professor and dean of Howard University School of Divinity. She is a scholar of African American religious history, womanist theology, race, and religion, as well as a public theologian, activist, and commentator. An alumna of Princeton University and Cornell University, Pierce served as the founding director of the Center for the Study of African American Religious Life at the National Museum of African American History & Culture. Pierce's writing has appeared in Time, Sojourners, and The Christian Century, and she is the author of the book Hell Without Fires. Pierce lives in Washington, DC. REVIEWS "In this gripping and authentic text, Dr. Yolanda Pierce teaches us to listen with radical attentiveness, uncovering the analytical brilliance, courageous sacrifice, and definitive theology of her grandmother. As she excavates the intergenerational recipes and patterns out of which her own life is created, she gives the reader access to deep wells of faith and wisdom. This text is a love letter to Black grandmothers and a show way quilt for young people. It is essential reading for all who hear the whisper of the still, small voice and feel unsure of how to respond." -- Melissa Harris-Perry, journalist, speaker, and professor at Wake Forest University "Within the pages of In My Grandmother's House, Dr. Yolanda Pierce brings to the forefront the titans of faith formation, the holders of theological wisdom, the guides who rarely receive credit from the academy for having crafted a faith that endures: Black grandmothers. By giving language to the ways Black women have long helped us make sense of the Divine, Dr. Pierce offers us a window into the sacred lives of Black women, at once centering ourselves, our histories, and our God." -- Austin Channing Brown, New York Times bestselling author of I'm Still Here "From the opening sentence to the closing paragraph, Dr. Yolanda Pierce provides a spiritual meal we did not know we desperately needed as a community of joyous believers and wounded family members who occupy the space we call the Black church. Dr. Pierce becomes this generation's spiritual griot; her powerful storytelling challenges, inspires, and demands we hold the brokenness and the blessedness of the space we call the Black church in both hands. She pushes us to refuse to release the sweet and sour flavors mixed in the beautiful pot of our Black spirituality framed by the womanist power of our grandmothers. Thank you, Dr. Pierce, for being a brilliant, radical, and loving truth-teller." -- Rev. Dr. Otis Moss III, author, activist, and senior pastor of Trinity United Church of Christ [P] Broadleaf Books / February 07, 2023 1.0" H x 7.6" L x 5.4" W (0.45 lbs) 196 pages

"In a world eager to promote the newest wunderkind, grandmother theology carries us two or more generations back: to the kitchens, hair salons, gardens, and church basements of older Black women who are often invisible in theological discourse but without whom the American Christian church would cease to exist."
The church mothers who raised Yolanda Pierce, dean of Howard University School of Divinity, were busily focused on her survival. In a world hostile to Black women's bodies and spirits, they had to be. Born on a former cotton plantation and having fled the terrors of the South, Pierce's grandmother raised her in the faith inherited from those who were enslaved. Now in paperback, In My Grandmother's House follows Pierce as she reckons with that tradition, building an everyday womanist theology rooted in liberating scriptures, experiences in the Black church, and truths from Black women's lives. Pierce tells stories that center the experiences of those living on the underside of history, teasing out the tensions of race, spirituality, trauma, freedom, resistance, and memory. The paperback features a new readers' guide, written by the author, that is useful for individual reflection and group discussion.
A grandmother's theology carries wisdom strong enough for future generations. The Divine has been showing up at the kitchen tables of Black women for a long time. It's time to get to know that God
BIO
<meta charset="utf-8">Yolanda Pierce is professor and dean of Howard University School of Divinity. She is a scholar of African American religious history, womanist theology, race, and religion, as well as a public theologian, activist, and commentator. An alumna of Princeton University and Cornell University, Pierce served as the founding director of the Center for the Study of African American Religious Life at the National Museum of African American History &amp; Culture. Pierce's writing has appeared in Time, Sojourners, and The Christian Century, and she is the author of the book Hell Without Fires. Pierce lives in Washington, DC.
REVIEWS
"In this gripping and authentic text, Dr. Yolanda Pierce teaches us to listen with radical attentiveness, uncovering the analytical brilliance, courageous sacrifice, and definitive theology of her grandmother. As she excavates the intergenerational recipes and patterns out of which her own life is created, she gives the reader access to deep wells of faith and wisdom. This text is a love letter to Black grandmothers and a show way quilt for young people. It is essential reading for all who hear the whisper of the still, small voice and feel unsure of how to respond." -- Melissa Harris-Perry, journalist, speaker, and professor at Wake Forest University
"Within the pages of In My Grandmother's House, Dr. Yolanda Pierce brings to the forefront the titans of faith formation, the holders of theological wisdom, the guides who rarely receive credit from the academy for having crafted a faith that endures: Black grandmothers. By giving language to the ways Black women have long helped us make sense of the Divine, Dr. Pierce offers us a window into the sacred lives of Black women, at once centering ourselves, our histories, and our God." -- Austin Channing Brown, New York Times bestselling author of I'm Still Here
"From the opening sentence to the closing paragraph, Dr. Yolanda Pierce provides a spiritual meal we did not know we desperately needed as a community of joyous believers and wounded family members who occupy the space we call the Black church. Dr. Pierce becomes this generation's spiritual griot; her powerful storytelling challenges, inspires, and demands we hold the brokenness and the blessedness of the space we call the Black church in both hands. She pushes us to refuse to release the sweet and sour flavors mixed in the beautiful pot of our Black spirituality framed by the womanist power of our grandmothers. Thank you, Dr. Pierce, for being a brilliant, radical, and loving truth-teller." -- Rev. Dr. Otis Moss III, author, activist, and senior pastor of Trinity United Church of Christ
[P]  Broadleaf Books  /  February 07, 2023
<meta charset="utf-8">1.0" H x 7.6" L x 5.4" W (0.45 lbs) 196 pages

And if you haven’t yet, join our mailing list below!

Join the BEM Mailing List!